Warning [2021] [opening night @ sci-fi-london.com]

“Can you really put a value on human life?”


Hurray Sci Fi London 2021 is here! A week long of curated short and feature length films, hosted by Sci-Fi-London.com at Stratford Picturehouse in London! I was honoured to have been invited by Louis, Marta and the team to opening night and I’m looking forward to checking out what else the week unfolds! Come watchalong with me. I’ll be seeing the following so come say hi:

Really wish I could see more but unfortunately I can’t this time. I’m gonna try and catch some of the shorts. Louis – the founder of the festival – recommended ‘The Scent of a Forest’ (directed by Servaes Dewispelaere) which the team voted as their fave short of this year’s lot so if nothing else, be sure to check that out and let me know what you think!

So, back to WARNING!

Warning, directed by Agata Alexander, starts out from the onset with a mechanic astronaut who is set on a personal path of disaster when the tech he has been sent to fix explodes, hurtling him into nothingness. He is given days to live.

Meanwhile on earth we touch on the stories, humanity and inhumanity of current life on earth. We see a woman who is released from the routine of her Alexa-esque connection to God 2.0 when one day it malfunctions and she is forced to continue her spiritual journey alone. There’s a teenage girl who hopes to make a bunch of money for a better life by allowing a random stranger to invade her consciousness for just a weekend which ends up taking a very dark turn. There’s a seemingly young couple meeting the fam for the first time, and we soon discover that the man in the couple is immortal while she is not. The mother does not approve. There’s the story of an elderly robot who cannot be sold, and we see a sliver of humanity in it as it dances with another robot/android, shrouded behind a curtain. There’s the guy who just can’t let the past stay in the past, much to the horror of his ex girlfriend. And a small child, looking to the sky, wishing her father home.

I thought it was a wonderful start to the festival. I wondered about the title of the film.. warning. Could the astronaut have warned people of what was to come? It felt like he could not have, which makes it all the more tragic. That he had to sit and watch it unfold. I imagined his death as he ran out of oxygen all alone in the vastness of space wondering if he could have done something. Was it our choices that should have served as a warning? That we were on a path of destruction? No. It appeared inevitable. That regardless of the choices the characters would have made, they were bound by the exact same fate. It amused me at least that the immortal elite were seemingly also bound by this and I thought to myself, they cannot buy themselves out of this quandary.

I noticed these images throughout of this sort of sterile, sanctioned life… Beautiful flowers covered with bugs living in little sealed greenhouses or cages in peoples home, almost like little reminders of life among perfect homes with perfect wallpaper of plants.

Each mini story could honestly have been a movie in itself and I think it was in the section on mortality where something was said that resonated for me in this film. That immortality makes life less precious and I think in some way that is true of this film. Sure. Each section could have been entire films, but it was the miniature nature of these different stories that ended up making this film so precious. All these small hints of life woven into an untidy, tragic story about the end of days. Of love and loss. Of a desire to connect in a modern time.

I think the main takeaway I had and perhaps this was the purpose of the film, is that it is itself a warning. How would you act? How would you wish to spend your last days on earth if you had a warning? With greed? Living in the past? With hope? With a loved one? Alone? Helpless? Would you have made different choices? What would make your life more meaningful?

So all in all, I thought this film was poetic. It managed to somehow pull off chaotic and tidy all at once. There were some pretty famous actors in the mix which was quite surprising to see. Overall enjoyed it and loved that the concept had me thinking for hours after I left the cinema. Would recommend checking it out!

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Sci Fi London 2020 – Shorts (part 2 of 4)

SciFi London 2020 had a selection of 41 excellent short films this year. Check out my reviews for shorts 11-20.


EXISTE!

Directed by Luca Zuberbühler, this short film centres around the destruction of a small theatre. A construction worker enters the site, only to find an underground world beyond his imagination. Really pleasing blueish hue to the opening section to the film. I think it was probably the old timey-ness of the music and the degrading dusty buildings but it reminded me of playing Bioshock but it was a similar creep factor. Enjoyed it!

GUARDIAN ANGEL

Directed by Günter Heinzel, this short is more like a horror with a sci-fi edge. A man gets a whatsapp message from an unknown sender, telling him to leave or he will be killed (which he ignores). The messages get progressively scarier, after which he flees leaving his lover in bed. Nice twist to the end. I’m glad I wasn’t watching this in the dark. Classic tense horror soundtrack using plucking and screeching violins. I feel like a lot of people are writing about this particular topic at the moment though so I’m starting to get a bit unfazed by it, but I did enjoy this.

HYPERNOVA

Directed by Tate Young, this short film is about a woman struggling to connect. From the offset we see her going about normal chores, working and so on wearing a spacesuit, which seems to be a metaphor for this struggle. It’s as if she is all alone floating in space with nothing but stars, until she actually does connect with someone just like her which gives her the strength to break away. It seems more like a commentary on the human condition and a desire to be seen as you are, than being anything in particular about space though it is told through this metaphor. Nice little story. There’s very little dialogue but still that emotion and intention comes through. Enjoyed the ending.

IN ABSENTIA

Directed by Peter Chownsmith, this short animated film follows a man’s struggle to make sense of the surreal please he finds himself in. I like the style of animation, and the landscapes are pretty surreal. The sound effects paired to the action on screen are not what you would expect which adds to the weirdness of it. And there’s repeated references to the heart in this; there’s a hole in his chest where his heart should be, he finds himself climbing amongst what looks like tubes, and then he’s confronted with a massive red pyramid that is covered with either tendrils or veins… so there’s definitely something in there about the heart. Also I say he, but that’s not clear. It could be also a she or they. There’s no dialogue to know this either way. It’s only a three minute film but I really enjoyed the ambiguity of it and it was just well made.

LIVING THINGS

Directed by Tom Cozens, this short film is centred around a world fallen to disease. The narrator is supposedly the only being who is immune and he is trying to find something called “The Beacon” where he might find others like him. There’s always a ‘beacon’, isn’t there. People always need a hopeful monolith to gravitate towards… Anyway, when the disease hit, the protagonist was a child and he has to learn how to survive for himself, hunt and study into his adulthood, all alone. He tries his hand at growing sunflowers but the snowy conditions he is living in are not right and they all die. “Maybe miracles only look that way because there’s so much bad in the first place… but if miracles happened all the time, they wouldn’t be called miracles” he says. After hearing a yell out of the blue, he decides to leave the warmth and safety of the hut he has been staying in to once again find this ‘Beacon’. It’s a very endearing film, and even though through most of this story he is an adult man, it still has this childlike nature to it because we’ve seen him grow up and also because he interacts with nature like he’s in awe. The same way a child would, like they’re seeing something for the first time. Really enjoyed this. It’s not conclusive to us as viewers if he ever found another human again because we don’t see one. We just see his reaction to something but we’re not sure what that reaction means; I really like that ambiguity. Good stuff.

LOGAN LEE & THE RISE OF THE PURPLE DAWN

Directed by Raymond C. Lai, this short film is about a spliff called Purple Dawn and also about record scratching/hip hop! It centres around an DJ called Logan Lee who is in love with his best friend Beatrice. Beatrice is dating a douchebag who might be one of The Darkness, which is like this creepy alien species. It is built on sections that are introduced like a scratching tutorial. With the help of his mum, and weed, he takes on the beast who seems (like Venom) to dislike music! It’s a mix of They Live and ‘Harold & Kumar go to White Castle’ (basically a weed film lol). AMAZINGGGGGG FILMMMMM. I was blown away by how funny and colourful and interesting it was and I immediately told my bro about it. I really want to see it expanded. I think it could make a very popular feature film. Just wow.

M1DAS

Directed by Razan Takash, this short film is about AI. It’s filmed in UAE and the lead protagonist is a woman called Cybele. It opens on Cybele being instructed to lead on an AI project called M1DAS run by her company Ex Nihilo, which supposedly allows you to create a cyborg child. There’s no explanation but I’m guessing in this world, humans are no longer procreating(?) and the hardware was created because of that. Anyways, shortly after booting up the AI, Cybele is instructed to terminate the AI child who progressively matches to her look. Cybele decides to ignore her directive and save the child. The film has a super futuristic look and the ending is well done and pretty bleak. I was willing something else to happen and staring intently at the screen, but it never happened. Great short.

MOMENT

Directed by Geoffrey Uloth, this short follows the story of a homeless woman and her interactions with two masked crusaders. The woman is dating a drug dealer who tells her to carry some drugs for him because ‘women don’t get frisked by cops’. She’s jumped and attacked by three masked men. Just when one of them is about to hit her, time stops and the two masked crusaders who can astral project, talk the woman through combating these assholes so she is ready for it when time resumes. Both parties talk about their own individual struggles. There’s a chase scene which is really really good and the story is so emotive that I was moved to tears and cried buckets of mixed emotions all the way to the end. Could really see this being picked up by Marvel and being made into an origin story. Cool references to Star Trek. Excellent short.

MUSE

Directed by Azhur Saleem, this sci-fi/horror short follows the works of an artist in a technologically advanced world. The artist has recently been turned down by an art exhibitor who does not like the art, which depicts faces in various stages of terror. The police are called after screaming is heard and asked to see what the artist’s android has seen, like it is being used as a type of surveillance. The police realise that he is lying to them and a fight ensues. The ending has a really nice, super creepy twist. The look of the android seem very influenced by video game Detroit, which features android’s with a similar chip on the temple and similar premise (specifically around breaking their coding) so I enjoyed this dark short. Worth a watch.

NEXT TIME

Directed by Talia Shea Levin, this short follows a couple on a road trip across the United States. There is a hint to the theme of the film through the clicking timepiece which you can hear at various points in the film, if you didn’t get it from the title or the billboards… There’s obviously a tense-ness between the two characters. It seems that their relationship is coming to an end. They stop at at a Time Travelling depot which you can use if you deposit 10 cents, although there’s no way for you to control where or when you end up in history so it doesn’t seem that safe… I like the billboards on their journey that talk about TIME TRAVEL as if it’s a normal part of their reality, which say things like “You were there tomorrow, come back yesterday!” Apparently the journey through time is exactly what they needed because they stop fighting after that. Nice little short. Not really much to it but enjoyable.

Thanks to all the creators for making and bringing these shorts to SciFi London 2020. I believe these shorts are only available to watch until the end of today (Sunday) but please do seek them out. My particular faves from this lot were: ‘Logan Lee & The Rise of the Purple Dawn’ and ‘Moment’ which I really get picked up into full features films. I’ll be adding reviews for the remaining shorts shortly!

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Sci Fi London 2020 – Shorts (part 1 of 4)

SciFi London 2020 had a selection of 41 excellent short films this year. Check out my reviews for shorts 1-10.


A MODERN MAGICIAN

This story, directed by Mark Heller, focuses on Jim, a quaint, nerdy kid who has obviously been bullied for much of his life. He takes a shining to a fellow schoolkid called Helen and it seems like he continues this crush or obsession into adulthood. He’s determined that he is different to others and that he has some sort of paranormal ability but it’s not totally clear if that’s the case. His main focus upon realising this is to exert as much power and influence of himself onto animals, in the form of killing them and he soon moves to larger targets. Or does he? I really found this short very uncomfortable, and I know this was the intention… even the narrator was saying how pathetic the protagonist was, but I think that creating this sort of character can be quite harmful because it seemed like Jim actually had quite severe and destructive mental health problems, even if his abilities were true. The abusive, stalker nature of his relationship to Helen as well… As someone who has been the subject and focus of unwanted attention, I didn’t really enjoy this unfortunately.

ADAM& EVE MK II

This very short story, directed by Sebastian Kuder, follows an android called Adam. He has just woken up from a human brain data transfer and is alone. He ventures around the ship that he is on, only to realise he is far from earth or any other planet. Even though there was no dialogue, it was quite an emotional thing to see Adam reach out and touch the window whilst he looked at far away planets. That sense of isolation really came through, and the emotion felt very human. But he realises he is not alone, for he has Eve. I thought that the colour schemes was a bit gendered which to me is quite basic, like it needn’t have been that way, i.e. Adam was blue and orange, Eve pink and purple. That idea of gendered colours doesn’t seem very futuristic. That said, the CGI was top notch, I liked the ethereal soundtrack and the symmetry of the shots was really good. Would be interested to see this as a feature. It’s so short that I had a lot of questions that went unanswered like who, what, how, when and where!

APPYNESS

This short, directed by Ryan Turner and story by Kathleen Roosa, follows protagonist Cassie who is applying for a job at a friend’s company and is using an experimental implant called APPY BETA (“Control your emotions, control your destiny!”) to control her emotions. Cassie has a Stepford Wives look to her, and in fact embodies the same desire for perfection. The film has pleasing colour tones, this blueish hue. I thought that it was acted in an over-the-top, forced Americanised way but I think this added to it. I really liked the ending, where the app glitches and Cassie is stuck in this DC Comics, Joker-esque, laughing gas mode. It’s for quite uncomfortable watching but in a really excellent, intense way. The smarmy Michael Buble-type music to end it on was a super nice touch as well. Good job, would watch again. I think it’s perfect as a short though. Nice and punchy.

BROTHER

This short, directed by Tulsi Shivaanand, follows two Chinese brothers living in what looks like London. The narrator at the top of the short film talks of an entity called Baku who dwells between the waking and the dream world and says to take this charm if you have a nightmare, use it to call the Baku but don’t call too much or you will invite the cold into the waking world. One of the brothers is having severe nightmares so, of course, calls on Baku to spare him these terrors which brings the cold… I thought this story was so original. I’m personally really interested in peoples dreams (message me your weird dreams, I love them). I just recently read ‘The word for world is forest’ by Ursula Le Guin with SOPHFIFEST’s THE READERS club, which was all about an indigenous people who believe the dream world and waking world are one. Check it out, dream-lovers. Anyway, I digress, check that book out. But also check out this short. I hope this gets made into the larger film. The concept is very cool and there’s scope for expanding this world. It would be cool to see what he is seeing in his dreams and explore this topic more because it could be a really spooky sci-fi/horror/thriller.

BUGS & NIXON

This short, directed by Jackson Lowen, follows two agents who are trying to trick a psychic into thinking they mean him no harm, dressed up as, you guessed it, Bugs & Nixon! The childlike look of the film is offset by the darkness of the film, i.e. their intent to murder this unusual child. I really enjoy the look of the Psychic, James, as I enjoy DIY films that look like they’re made with bit of vacuum cleaners and stuff like that though this is extremely budget. It’s obviously just a storage container filled with balloons and red paint and fake blood, and the acting is quite corny but it’s an enjoyable watch!

CEPHALOPOD

Directed by Lewis Peake, this short film follows the story of an experiment at N-CORP. It features someone called subject V22 who must complete tests using a special ability bestowed upon him through genetic/cyber enhancements. It appears he is doing so without consent and has to be ‘disciplined’ to take part, before he revolts and destroys the voice in the tannoy. It has the same grimey, handmade feel as an episode of Robot-Wars and I really liked it. Good stuff.

CIRCLE OF STONE

Directed by Mark Andrews, this short follows the case of missing girl, Maddy, in a rural town somewhere in the United States who reappears some 60 years after she went missing. She is found by a cop and they both find themselves in the middle of a strange, supernatural world of beings that look like black and white deer gods with swords called The Golden Ones. More cops are called out to the woods when the aforementioned cop is attacked but the strange beings pick them off one by one. The only survivor, Parker, wakes to find himself NOT IN KANSAS ANY MO’. Excellent choreographed sword fight scene and whooshing sound effects. Even though it’s set in the daytime, it’s no less gruesome. Could be spookier though. Props looked realistic and gross. Acting was a little corny but would be cool to see where this film goes because it could be a cool Sci-Fi/Horror feature with a bigger budget. Nice twist at the end.

CLEAR GOLD

Directed by James Copplestone Farmer, this Qatarian (yay!) short film follows the story of a dystopian water shortage and an astronaut who is on a mission on the moon to find a solution to this. The CGI is so good between the tech, the space suit and the landscape of the moon… The protagonist explains the dire situation humans are in and the wars that came out of this problem, as well as logging his findings as time is running out. It looks very futuristic and seems topical right now following the the SOFIA observation findings of the moon which shows us that the moon DOES have a viable water source (not just in shadowed craters but also on the surface where they had expected water to evaporate). I like that the short is exploring a real, human problem and condemns humanity’s failings: poverty, war, neglect, fucking up the planet and inequality, and it asks one important question: “Why do you deserve it?” Really excellent and important work. Well done to those who made this happen.

DEUS OTIOSUS

Directed by Mat Brady, this short translates to The Idle God, follows a pregnant hunter who has recently lost her husband. She is tracking a reclusive self proclaimed “gardener” who the others think has magical powers. The people need his help to get rid of a blight. Her journey leads her to a mystical small pyramid with ‘dangerous technology’ and she makes a discovery that will change her flat-earth world forever!! Costumes are excellent and I enjoyed the characters/script. It has Willow, Maid Marion and Lord of the Rings vibes to me and it was refreshing to see strong female and POC characters (mainly the lead protagonist)! I have so many questions that will go unanswered but mainly, what is the technology?! Is that what happened to us after things fell apart?! What happens when you put the headpiece on?! Nice short!

DOPPELBANGER

Directed by Sofian Khan, this black & white futuristic short starts with a human man having sex with a sex robot(?) which malfunctions during intercourse. His George II unit comes home from his human job and recharges after a long day working in real George’s job. George attempts to investigate what has gone wrong by contacting the owner of the serial who agrees to help him and they have a nice interaction. George II reports George to the cops after a perceived illegal action and a fight ensues. Excellent! The programmer is a woman (woohoo!) The look of the short is one of the most polished shorts of the festival so far that I’ve seen, the CGI/visual effects for the short are really well done, as well as the use of light/colour for emphasis. This HAS to be made into a movie!! Like who is George, where did the girl take the robot, what happens to her?! So many questions! Please make this into a feature because I want to know more about this world!

Thanks to all the creators for making and bringing these shorts to SciFi London 2020. I believe these shorts are only available to watch until the end of today (Sunday) but please do seek them out. I’ll be adding reviews for the remaining shorts shortly!

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Skyman [2020, SciFi London 2020]

“I looked up and there it was, just hovering, a giant black triangle…”


Only one more day left of SciFi London 2020, I’m so sad! I decided to only watch one feature film today after four straight days of science fiction, so I hope you enjoy this review of the second science fiction film of the day, Skyman.

Skyman, directed by Daniel Myrick (who was co-Director of the cult classic supernatural horror, The Blair Witch Project) is a documentary style film following Carl Merryweather who is famous in his town for having made contact with an alien. This alien supposedly spoke to him telepathically when he was 10 years old. The film starts 30 years later and interviews Carl, his family and people in the town to hear the story and see if there is any truth to it. Carl talks about his experience and describes the meeting, that he heard a low hum which he has heard multiple times since the interaction and that the alien had told him not to be afraid, that it was looking for someone like him. The film later follows him as he goes about his life, visiting family, at a UFO convention and while he is creating tech with a friend to help capture what he describes will be a return of the alien. He is convinced this will happen on his 40th birthday.

The fictional docu-makers don’t offer up their own critical perspective of Carl, but rather leave it totally open for viewers to make up their own minds. The style of this movie is quite DIY looking and at times appears quite rough like it’s made with a camcorder, but this add to the charm of the film. The ending of the film appears conclusive as to if Carl was right or not – but I won’t spoil the ending for you…

There’s not much to say about this movie. I really enjoyed it. It’s not a complicated film, with a complicated plot, but it was just done superbly. I didn’t stay for the Q&A this time unfortunately, so I missed what the director said of the film, but I loved that Carl wasn’t painted to be the ‘town idiot’ like many abduction type films out there. He seemed quite competent, and his resolute belief wasn’t creepy. It was endearing and almost childlike. I found myself wanting to believe too, for Carl’s sake.. I think that perhaps he had been stuck in the past his whole life, stuck in that moment when he was 10 years old, so his childlike, excited nature really came through in this film. Like even the fact he calls the alien a Skyman is something that a ten year old would do. An adult would call it an alien, but children say it like they see it. He came from the sky, he was a man (as far as young Carl knows) so he is SKYMAN.

So yeah, excellent film. Really glad to have seem it. Very endearing, well done film. Definitely, definitely go check it out.

For more info about the film, go here.

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The American Astronaut [2001]

“It is here where the story began.. the story of how I became a father…”


This 2001 film, directed by and starring Cory McAbee, is a really fun film and I’m so thankful that it was part of SciFi London 2020 festival’s feature films because I’ve been wanting to watch it for a long time.

The film follows Samuel Curtis, a merchant who deals in the procurement of odd and exotic items. He’s been tasked with bringing Monkeypuss the Cat from earth to a saloon on an asteroid to his old dancing partner and friend, the Blueberry Pirate. His friend pays him for the cat with a cloning device which can make a ‘Real Life Girl’ and tells him that he should take it to Jupiter and swap it for ‘The Boy who actually saw a woman’s breast’. You see, this planet seems to be full of working class, possibly miner men and there are no women there. The boy is brought out to them from time to time to sing and dance and describe the boob he saw as a way of motivating them to work. The Blueberry Pirate suggests Curtis take The Boy to Venus, which is inhabited by women and a ‘stud’ who they use to impregnate themselves. Apparently the stud has died and his family (on earth) want his remains so they can bury him. Curtis agrees to this plan.

Meanwhile he is being pursued by The Professor who also acts somewhat of a narrator for the film. Apparently he is pissed because it’s his birthday and he wants Curtis to sing Happy Birthday to him. He seems quite psychotic.

Curtis gets the boy and exchanges the case for him to the person running the joint who grossly says he will grow this girl and then marry her when she is 15, after which he will describe what the sex is like to the masses. But his plan is cut short because The Professor kills him and steals the case, still in Curtis’ pursuit. I’m actually really glad he did tbh…

Curtis comes across a space station where he is asked by miners to take another kid with him, who appears to be wearing some kind of gimp suit(?) and he agrees. Eventually they make it to Venus to make the swap and The Professor is there, but does he make the exchange? Does he have to sing Happy Birthday to the prof? Check it out to find outttttt.

This is such a fun, quirky film and having seen Cory the director talk, you can see it’s his own quirkiness come alive! He’s such a bubbly, nice person.

I really liked the music in the film. Most of the music was rock. Sounds like some Bruce Springsteen sort of influence at times, but also alternative or indie rock in there. It feels like a music video, and it could very easily be turned into a musical of some sort because there are lots of scenes where characters are singing and dancing. I wasn’t anticipating this but it was so joyful to watch. The lyrics are really weird and endearing (just my kind of lyrics) e.g. “how can you keep on smiling while you see yourself in the mirror smiling” or “the girl with the vagina made of glass”. It’s the sort of film I imagine would be played a lot at this place called Prince Charles cinema in London, where they have a lot of quirky film sing-a-longs.

It’s filmed in black and white and has a old feel to it. Even the way people talk in the film comes off like it was shot in the 50s, which I enjoyed. Even their speech has the same timbre and spacing as a 50s film. It also has an old ‘Spaghetti Western’ feel to it for me particularly with the opening being in an old timey bar (though I know some people also think it’s more like Film Noir). It has that same grimey, dirty, gun-slinging, rough and ready feel that I remember from the Westerns I used to watch as a kid. Having seen the Q&A with the director, though, this was not intentional and it was actually inspired by his family who works/worked as car mechanics. He wanted to get that grimey, grease-monkey feel into the film.

What I especially like about this film – if you take out the singing and the dancing – it kind of feels like normal, working class people just getting on with living in space. Curtis flying about seems as ordinary as someone driving a car or a bus, like they’re all just normal people; some of them go to bars, they work, they listen to music, they have phasers that turn people into sand… you know, like normal stuff!

So all in all, I really enjoyed this movie. It was just a joy to watch. There’s not much too it. It’s not some complicated plot, but I loved how down to earth and quirky this space movie is and I can tell I will love it again and again and again in the future. I can see getting better with repeated watching. Definitely check it out.

Oh, and you should check out some of the other projects that Cory McAbee is working on. Stingray Sam is another of his past project’s. I haven’t seen it yet but apparently the series is really worth watching. He’s also working on this totally radical project related to terraforming Mars. The suggestion is to send your dearly departed’s corpses to Mars, to help terraform the planet. Isn’t that amazing?! Anyway, there’s more to read here.

Lastly, you can check out American Astronaut here. It’s available to watch for free!

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Alone [2020]

“You don’t realise how quiet space can be until you’re drifting in it…”


Firstly, if you haven’t heard about it and you LOVE science fiction like I do, then please subscribe to this amazing short film channel called DUST on YouTube that I just learned about through Google recommendations… Thank you Google for tracking my every whispered desire! DUST features films which explore humanity through the lens of science and technology with series, short films and podcasts! For more, check out the DUST YouTube channel here or you can watch their films on their instagram here. Obviously DUST has been going for a really long time and I cannot believe this is the first I’m hearing about them.. SHAME. SHAME. SHAME.

So, I stumbled onto this film not knowing anything about it other than like a tardis it came in a small package but was MUCH, MUCH LARGER INSIDE!

Alone, directed by William Hellmuth who may possibly have the most rad surname for a director to date, follows Kaya Torres a spaceship engineer. As the viewer, you’re thrown straight into the reality that Kaya has escaped near death in an escape pod circling what appears to be a black hole as she explains that her crew has perished and she is the sole survivor. I really liked being thrown straight into the deep end with this story. It felt like it took me straight to the crux of the problem. Feature length space films usually involve a big lead up. The lack of this, plus the lack of massive booming soundtracks actually meant I felt oddly calm watching it. There’s no build up of tension and though I know Kaya’s situation is dire and I wasn’t sure how she would get out of this substantial pickle, it was almost serene. That in itself was tense. The line which she utters above is like the icing on the cake and was excellently done.

Kaya manages to connect with a stranger who is stranded on a nearby planet and together they give each other comfort, acting as cheerleaders to one another and exploring each others fears and past lives. Kaya struggles through one failure after another as she circles through her options before the crescendo ending (which I won’t give away).

All in all, excellent short. Beautifully shot and acted. Really great, moody colour scheme and close shots which give an impression of how small/cramped the pod is. The film packs a punch and doesn’t waste any energy on faff. The science is sound and I’m super glad that the director/writers didn’t try to explain the concepts of travelling through certain things that shall not be mentioned with THAT tired paper explanation (you know which one I’m talking about). I hope one day this is picked up by Hollywood and that the story is expanded because it would be an excellent feature film.

You can watch ‘Alone’ here (Enjoy!):

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Sci-Fi London 2020

SOPHFIFEST’s December 2020 WATCHERS club has been pushed back one week, but for a very good reason!


SCI-FI-LONDON 2020 is happening 8-13 December and due to COVID it’s going to be virtual this year. Cannot wait. Also, tickets are super cheap at £20.20 for the whole festival, or £5 per film if you only want to watch the odd film.

I’m particularly excited about the feature films (synopses below):

  • Live (08/12) – a dystopian story where humans aren’t allowed to be in contact with one another, which given our current COVID/lockdown situation seems very on the nose.
  • Mirror Human (09/12) – this film follows the lives of three characters and explores androids. The synopsis is quite elusive so I guess I will watch and find out!
  • Cosmic Candy (09/12) – a film about a hallucinogenic candy which looks really vibrant and trippy and full of action.
  • Minor Premise (10/12) – this film is about scientific experimentation gone wrong. Ethan finds himself fragmented into different timelines after trying to finish his father’s invention and has to rely on partner/colleague Dr Alli Fisher to find the answers. I’m excited to see how this thriller unfolds.
  • A report on the party and the guests (11/12) – this is a film about a creature on a secret mission but is also about a pandemic and humanity destroying itself.
  • I am human (11/12) – this film is about cyborgs living as part of humanity and explores the human brain and what makes us human.
  • The American Astronaut (11/12) – on my current watchlist. This is one of the top 100 science fiction films of all time, so I’m excited to finally see this.
  • Truth or Consequences (12/12) – the film is set in Truth or Consequences, New Mexico (yes, this is a real place!!) and explores the concept of humans colonising new planets but what if you were left behind. I’m really interested in this idea, the further we advance into space exploration and I’m looking forward to this offering.
  • Skyman (12/12) – this film follows Carl who believes he will be the victim of repeat alien abduction. Is he right? Let’s find out! It’s also co-directed by Daniel Myrick of The Blair Witch Project! Woah!
  • I am Ren (13/13) – this film is a thriller about Artificial Intelligence and follows Renata trying to find answers to a mysterious event.

There are also 30+ short films this year to explore. Check them out here.

I’m really excited to see so much diversity in this year’s offering. This is the direction that science fiction film needs to be moving into. More women, more BIPOC/POC, more LGBTQ, more disabled, more neuro-diverse creators and actors. Representation FTW!

Get your pass soon: https://sci-fi-london.com/ SOPHFIFEST will be chatting about films seen on this site and normal social networks so check those out coming soon 🙂 ONE MORE WEEK! ONE MORE WEEK! ONE MORE WEEK!

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Flight of the Navigator [1986]

“I’m sorry, but I don’t belong here now. I love you.”


Thanks to Sam for hosting a great watchparty on Plex and letting me see this long-forgotten gem.

This film follows 12 year old David, played by Joey Cramer. David wakes up after falling in a ravine in the woods and finds out that he has been gone for 8 years and has no memory of what happened! At the same time a mysterious space ship arrives, and NASA are fumbling to find answers.

There’s really not much to say about this. On second watching, this film was a really fun watch.

It has dated quite a bit and there are some scenes which, if the film was made now would be totally inappropriate e.g. Carolyn the adult intern flirting with David, but I didn’t think any of it took away from the film.

The CGI (for its time) and look of the inner ship was so so so good. The ship looked a bit like a clam shell but was pretty believable. The soundtrack was excellent and catchy in an electro-80s sort of way. There wasn’t really much to the story; it wasn’t complicated at all but the simplicity made it fun to watch. It felt like such a fun adventure, and at times was really moving and heartfelt. I loved the relationship between David and his brother who were incredibly sweet. I remember when I watched it as a child, it felt like a naughty adventure to be on, defying the adults and NASA’s orders in the way David did. To be honest, NASA seemed totally incompetent like they had no idea what was going on throughout, even less than David did, which was pretty amusing and David’s instincts felt spot on. The film really has it all… time travel, aliens, space, mind transfer, technology, robotics… what more could you ask for? Oh and lastly the little puppet alien monsters in it look like they came straight out of a Jim Henson playbook so were gnarly but also super cute!

This is a must-watch film and I LOVE IT. It’s dated but utterly charming. I would recommend it a million times over. Don’t expect too much of it, but it’s just really fun and a completely underrated film.

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Interstellar [2014]

“Do not go gentle into that good night. Rage, rage against the dying of the light.”


This film (written and directed by Christopher Nolan) follows engineer and pilot, Cooper (played by Matthew McConaughey who I thought was an excellent choice… the lofty way he moves and talks makes it seem like he has no gravity in his body so was totally believable as a spaceman) in a time not too far in the future. Humans have ravaged the earth and along with food shortages, all their fun times are being broken up by damn dust storms. DAMN YOU DUST STORMS! These shortages have necessitated people to concentrate on survival which seems to impact all areas in life, including what pathway kids take in school. NASA has all been shut down but are operating in secret to think of ways to save humanity. Inexplicably, Cooper’s path crosses with NASA and they send him on a journey to save everyone.

The rest, as they say, is history. OR IS IT?

Okay, so I really enjoyed this movie. I thought it was really engaging, the CGI and acting was excellent. It was beautiful and had me on the edge of my seat, and I’m guaranteed to enjoy ANY film that has a robot in it… Apart from Prometheus which I thought was a bag of dicks…

Anywho… the problem I had with it is that I had trouble suspending my disbelief throughout because of certain parts of the storyline. SPOILERSSSS!

***

Why would NASA be shut down as being too frivolous and expensive if their aim was to save humanity? Why would educators change the history books and teach children that space exploration was faked and didn’t happen? Wouldn’t they want, if anything, to get the best scientific minds on the planet working out how to save everyone which if anything would mean putting MORE resources into science? It seemed like the problem fell solely on Michael Caine’s character’s shoulders…

The blight has destroyed all but corn, apparently, but they still have beer. Is it corn beer? Is everything they’re eating just corn? Is the only reason it is surviving because it’s Monsanto GMO corn?

Anne Hathaway’s character tells her crew that LOVE IS THE ANSWER when asked to make a major decision which impacts literally humanity’s survival. Like, dude, you’re a scientist. But screw all your stats and figures and equations, amirightladiessss. She did end up being correct though, and this spirituality of love saving the world really echoed the film Contact, which also suggested that love was the one thing through the darkness and expanse of the universe that connected us all. This felt like an epic eye-roll moment, but maybe I’m just a cynic…

We know that time is of the essence in this film. Like Michael Caine’s character says: “I’m not afraid of death, I’m an old physicist. I’m afraid of time.” It feels like Nolan is also afraid of time, and indeed the film really wastes no time; not even to flesh out some of the major characters that appear later in the film after Cooper goes to interstellar space…

I have many more questions than answers with this film but when all is said and done, I thought it was really enjoyable.

The soundscape of the film did an excellent job of making it pretty tense and accentuating key moments, to the point where it felt like a real kick in the chest.

The science of the film was sound, i.e. how wormholes sort of work (nice paper explanation of how they work, which I remember seeing explained the same way in Event Horizon), the idea of time swelling or changing relative to black hole proximity and the multi-dimensional theory was also sound. Albert Einstein once said “People like us, who believe in physics, know that the distinction between past, present and future is only a stubbornly persistent illusion.” Interstellar did an excellent, creative job of showing what that might look like and how time could be manipulated. That if humans were able to perceive more than the three dimensions we currently can, that we might perceive the past, present and future all at once! Though I sincerely don’t believe he would have survived travelling through a singularity…

The presence of scifi/horror elements in the film personally made me feel uneasy and my impending doom-ometer was going wild. I really don’t know if it was intentional, but the aforementioned Event Horizon bit… the presence of cornfields… a robot in space who I suspected any minute would turn on the crew whilst they were in stasis… all of these elements added up to create a pretty tense film.

But what I loved the most was that Interstellar prompted really deep questions in my mind about the universe and reality and time.

***

So in conclusion, I think it’s an insanely epic undertaking of a film. Some say that Nolan shot for the stars and missed with this film and that it was overly ambitious. Despite its flaws, I think it was wondiferous and imperfect all at once and I would definitely recommend this thought-provoking film.

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