Repeat [2021] [sci-fi-london.com]

“Where do we go when we die”


Directed by Grant Archer and Richard Miller, this film ponders the almighty question; What happens after we die?

I wasn’t originally planning on seeing this film but I was unfortunately ill and couldn’t see Exposure36 so I decided to come out to this one to get my sciencey fill!

So… Repeat!! In this film, scientist Ryan Moore played by Tom England, works for the research department at a university. While attempting to create tech that can interpret thoughts he stumbles across an altogether different invention which he believes allows him to reach people BEYOND THE VEILLLLL. We see him testing this tech on various people who had recently lost their loved ones. The tech itself looks like a selfie light wrapped in copper wire, connected to an old computer with the DNA slot looking like a CD drive, which I really love by the way. It’s pretty well known by pals that I happen to really enjoy sci-fi where the Tech looks like it is made out of vacuum parts so I enjoy tech that looks very DIY. Anyways. I digress. We soon learn that Ryan and his wife Emily, played by Charlotte Ritchie, have also lost someone dear to them, their young daughter Sam. It’s unclear what happened and the story leads us to believe that she was abducted by a hooded man after school. The loss has clearly put a massive strain on the relationship, and various attempts to tackle their problems head on are pushed under the mat.

Ryan becomes increasingly more intense and obsessed as the police investigation runs dry. With no leads, he takes it upon himself to investigate teachers and friends and ends up alienating them all forcing him into an even bigger introspective spiral. He hopes to make contact with Rebecca but each attempt fails. One day he finds that Emily has swabbed her DNA with the intent to use the machine to try to make contact (she stops short of actually doing so). Ryan continues and manages to make contact discovering that his child is indeed dead. Troubled by this discovery and after he temporarily manages to manifest her using the machine, he boosts the machine and finds himself transported to the day Sam disappeared. He tries to prevent her from being taken when she suddenly disappears and we learn **MASSIVE SPOILER** that the machine does not talk to the dead but to people sleeping and inadvertently kills those it makes contact with. The weight of this discovery is palpable. Ryan attempts to send a message to his computer in the past only for that message to start the loop all over again!

I enjoyed this one. The film had plenty red herrings baked into the story that made you think you were being taken in various directions only to end up somewhere completely different. It was really interesting being able to attend the Q&A because the director/writer spoke of just that in the writing process; that he had intended for the film to be a lighthearted ghostbusters-esque jaunt, but creativity had a different path in mind for him. Anyways, it would have been all too easy for the cause of Sam’s disappearance to have been the ominous hooded figure. Also, I really enjoyed the fact that we all thought we were watching a film about life after death and instead we were slapped in the face with IT WAS A TIME TRAVEL FILM ALL ALONGGGGGGG **SLAP SLAP SLAP**

The science/tech side of things felt like the right tone. You know, how scientists create new inventions in their basements… It’s murky and thrown together and a complete mess, all the while the scientist is telling you “IT’S COMPLETELY SAFE” when you know they have no idea what they’re doing. There were some laughable moments like that in this film where Ryan is asking these people, and by extension those of us watching the film, to trust him and for the most part we do. And then we learn that we really shouldn’t trust him. That he is stabbing in the dark, that this invention of his is actually killing him.. that his morality is totally called into question and fails, that he is stealing an unknown, radioactive chemical from the same university who are funding and trusting him in order to power this invention of his… and then there’s the moment where he intensely interrogates a teenage girl – the friend of his daughter – and when she doesn’t tell him what he wants to hear he starts to manhandle her and shouts at her I KNOW WHERE YOU LIVE. I had to laugh at that point. Like no wonder she’s running from you, dude. Take it down a fricking notch! At no point does he recognise just how lost he is and that his attitude and this invention of his is hurting people. Even at the very end, his instinct is to use the machine to better this situation he has found himself in, the irony being that if he had taken a moment to really criticise himself, he would have realised that he is the cause of all his and his family’s pain. I was really hoping that Ryan would try to make contact with his past self and in doing so, would kill himself and save his and so many other’s lives, or to destroy the machine thus doing the same, but then it would not have looped so cleverly. So I’m willing to accept the discomfort and annoyance I feel towards the choices Ryan has ultimately made for a cool ending. Ryan really, truly believes that his invention could be used for good and can’t help himself; that was his undoing ultimately because it totally screwed him. I guess in hindsight, he never could help himself, and never will!

There’s a sub-storyline in there about who the real father of Sam is, but even though it’s this shocking elephant in the room that is hinted when Emily uses the DNA swab and then doesn’t get mentioned until much later, it’s not really important to the plot. To him, Ryan is Sam’s father and nothing will change that (which I think is really sweet). And again, it’s just a red herring to confuse the viewer anyways.

So all in all, liked the plot and the twisty turns. Interesting mish-mash of sci fi films (mixing life after death with time travel) and I think the causality was smartly done. Found it hard to suspend my disbelief looking at the invention, but I kinda loved that I knew what the component parts were. Enjoyable performances and some familiar faces. Enjoyed watching this one.

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I am Human [2020, SciFi London 2020]

“What does it mean to be human? To me it means we can become anything we want…”


This documentary film, directed by Elena Gaby and Taryn Southern, explores the technological advancements of the world’s first cyborgs: Bill, Anne and Stephen

The film opens on Bill who became tetraplegic (unable to move his arms and legs) after a tragic accident. The film shows him currently living in an assisted facility and he explains that he just wants “to move from this point to that point” by himself.

Anne suffers from Parkinsons disease which affects the nerve cells making it very difficult to move about or do anything that requires fine motor skills. We also meet her husband who explains that Anne used to be an artist and hospital volunteer and that this disease has been detrimental to her life. She says “the biggest thing for me was that I would become useless…. a burden in the world” and that symptoms like not being able to smile made it impossible for her to connect with people, that it made her exhausted both physically and mentally.

Stephen has a vision impairment where all he sees is white, and he relies heavily on his sister for emotional and physical help.

We also meet a team of amazing scientists/engineers at a neuroscience organisation focused on “addressing a broken brain”. We see that the technology, which centres around using electrodes to stimulate the brain, hopes to solve some of our biggest problems with regards to diseases that inflict a lot of people. The life-changing impacts this technology has will affect millions of people; it was so cool to see what they’re doing around turning our brain impulses with its 100 billion neurons into digital code which could be manipulated to make those who can’t walk, walk again, those who can’t see, see again. It looks like the tech is in early days and is very experimental – and to some it may seem a bit Frankenstein (“for some people it’s a Sci-Fi step too far”) – but just imagine what we can do if we master our own brains!

They asked an interesting question in the docu: “Are we about to change what it fundamentality means to be human, and if so, are we okay with that?” I’ve been thinking a lot about what makes us human, during this film festival, and it’s not possible to attribute it to one thing. In “Mirror Human” earlier in the week, one of the subjects said that once you had a name you were human, and this docu suggests it’s our ailments that make us human, but it’s cannot be a single element. We’re too complicated for that to be the case. I wonder who we could be if we didn’t have to worry about health implications. Perhaps we would be free to be our truest, most evolved selves if we were free from health inequalities?

The docu also touched on the ethical questions that arise where this technology is concerned, particularly with corporations like Google and others vying for personal data… It warned of the “unchecked power” that they hold and asked us as the audience to really think about what we want for this technology in the future, because it belongs to all of us. With so much science fiction around the subject of implants (Black Mirror et al) and the potential corruption that comes with it, these are questions that require global, intelligent discussion. It concerns me that it would be targeted by any Elon Musk type personality who stands to gain financially from a patent like that which should be used for the good of humankind. Greed should not even factor into decisions of this magnitude. I mean, don’t get me wrong, I frickin love Google. I have Google everything, but do I want them in my brain as well? Hell no.

In conclusion, it was amazing to see these technological advances, the massive health benefits given to the subjects we met earlier and to consider the theoretical implications. I’m really excited to see how this technology develops in the future. Thanks so much to the directors for making this because it’s an absolute gem of a film.

You can watch ‘I am Human’ here. But you’ll need to purchase a film or festival pass.

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Sci-Fi London 2020

SOPHFIFEST’s December 2020 WATCHERS club has been pushed back one week, but for a very good reason!


SCI-FI-LONDON 2020 is happening 8-13 December and due to COVID it’s going to be virtual this year. Cannot wait. Also, tickets are super cheap at £20.20 for the whole festival, or £5 per film if you only want to watch the odd film.

I’m particularly excited about the feature films (synopses below):

  • Live (08/12) – a dystopian story where humans aren’t allowed to be in contact with one another, which given our current COVID/lockdown situation seems very on the nose.
  • Mirror Human (09/12) – this film follows the lives of three characters and explores androids. The synopsis is quite elusive so I guess I will watch and find out!
  • Cosmic Candy (09/12) – a film about a hallucinogenic candy which looks really vibrant and trippy and full of action.
  • Minor Premise (10/12) – this film is about scientific experimentation gone wrong. Ethan finds himself fragmented into different timelines after trying to finish his father’s invention and has to rely on partner/colleague Dr Alli Fisher to find the answers. I’m excited to see how this thriller unfolds.
  • A report on the party and the guests (11/12) – this is a film about a creature on a secret mission but is also about a pandemic and humanity destroying itself.
  • I am human (11/12) – this film is about cyborgs living as part of humanity and explores the human brain and what makes us human.
  • The American Astronaut (11/12) – on my current watchlist. This is one of the top 100 science fiction films of all time, so I’m excited to finally see this.
  • Truth or Consequences (12/12) – the film is set in Truth or Consequences, New Mexico (yes, this is a real place!!) and explores the concept of humans colonising new planets but what if you were left behind. I’m really interested in this idea, the further we advance into space exploration and I’m looking forward to this offering.
  • Skyman (12/12) – this film follows Carl who believes he will be the victim of repeat alien abduction. Is he right? Let’s find out! It’s also co-directed by Daniel Myrick of The Blair Witch Project! Woah!
  • I am Ren (13/13) – this film is a thriller about Artificial Intelligence and follows Renata trying to find answers to a mysterious event.

There are also 30+ short films this year to explore. Check them out here.

I’m really excited to see so much diversity in this year’s offering. This is the direction that science fiction film needs to be moving into. More women, more BIPOC/POC, more LGBTQ, more disabled, more neuro-diverse creators and actors. Representation FTW!

Get your pass soon: https://sci-fi-london.com/ SOPHFIFEST will be chatting about films seen on this site and normal social networks so check those out coming soon 🙂 ONE MORE WEEK! ONE MORE WEEK! ONE MORE WEEK!

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