A report on the party & the guests [2020, SciFi London 2020]

“Good afternoon citizen. Is your life without meaning?”


This Danish film, directed by Søren Peter Langkjær Bojsen, is a really unusual one. A creature who calls himself Rudolph washes up on a beach in Estonia with his unconscious mother. He talks some nearby strangers to help him get her to a car, saying she has heat stroke and that she passed out. He takes her to some sort of warehouse where they can recover. Meanwhile, we find out that an epidemic called Saudad has ravaged the human population. At the same time (possibly because of this) technology seems to be fully automated to the point that humans aren’t really needed and are kind of irrelevant. There are a number of conspiracies which we see through a YouTube channel called TruthRage, that some automatons are amongst us and that they infiltrate into top positions in society, and we see various other conspiracies throughout the film from this channel. It seems like they are suggesting that humans are being controlled by these beings and we are told “they’re just following their instincts”.

Rudolph quickly inserts himself into normal society and gets himself a job in technology for Intuflex who seem to do some work relating to technology and intuition (he is told “your intuition will shape the future”) although it’s unclear exactly what this company does. When not at work, he observes human life. He also obsesses over trying to communicate with his home planet attempting to create communications devices, whilst his mother seems to be dying. To further study humans, he calls himself a photographer and goes to various parties with artists (which the conspiracists call ‘The Hoard’, a group who have migrated to the suburbs after the epidemic) to learn more about people, sharing a psychedelic machine with them that seems to bends their minds and possibly gather information about them. Rudolph ends up being told by a fellow alien that the home-planet have forgotten them and in order to be free, he will need to let go of the past.

Really unusual movie. A lot of it was shot in this handheld home camcorder style, which made it feel like Rudolph was genuinely taking a report of humans back to his planet. In the Q&A, the director said that much of the scenes where Rudolph is at the party doing this, he was instructed to interact with people who were just being themselves, not acting. That natural side really comes through, I thought.

Also I enjoyed that the film was ambiguous. It could have simultaneously been pitched as a story that Rudolph was not an alien, that in fact he was sinking into madness, because it was quite unclear for a long time if his so-called mother was an alien or if she was dead and he had killed her. Occasionally she would make noises but as a viewer, I supposed that those noises could well have been a ‘death rattle’ which are the sounds a dead body makes when certain gases are expelling from the body as it decomposes (I saw that once in a TV show). So I spent much of the film questioning who Rudolph really was and if he was being sincere. To be honest, seeing the mother go through various stages of decomposing made me feel quite uncomfortable, like it was too real. Particularly as for most of the film I felt like she had been murdered. I guess I wasn’t really anticipating seeing that from the synopsis, this implied violence towards a woman. I think if I had been mentally prepared for seeing that, maybe it would not have made me feel so uneasy. It’s funny, because I watch a lot of true crime, but I’ve never seen a body as graphically decomposing as in this film, and it really bothered me.

All in all, very interesting dark film. Well acted. Really great trippy visual effects, particularly in the scenes where Rudolph is showing people his mind-altering machine. I can see the influences in there by The Man Who Fell To Earth. I thought there was quite a lot going on, between the epidemic and conspiracies and this so-called alien, but it didn’t feel like it was cramped with too many complicated storylines. Great ending. I enjoyed it. Check it out.

You can watch this film here. You will need to buy a film or festival pass to watch it though.

Tagged : / / / / / / / / / / / / / / /

Sci-Fi London 2020

SOPHFIFEST’s December 2020 WATCHERS club has been pushed back one week, but for a very good reason!


SCI-FI-LONDON 2020 is happening 8-13 December and due to COVID it’s going to be virtual this year. Cannot wait. Also, tickets are super cheap at £20.20 for the whole festival, or £5 per film if you only want to watch the odd film.

I’m particularly excited about the feature films (synopses below):

  • Live (08/12) – a dystopian story where humans aren’t allowed to be in contact with one another, which given our current COVID/lockdown situation seems very on the nose.
  • Mirror Human (09/12) – this film follows the lives of three characters and explores androids. The synopsis is quite elusive so I guess I will watch and find out!
  • Cosmic Candy (09/12) – a film about a hallucinogenic candy which looks really vibrant and trippy and full of action.
  • Minor Premise (10/12) – this film is about scientific experimentation gone wrong. Ethan finds himself fragmented into different timelines after trying to finish his father’s invention and has to rely on partner/colleague Dr Alli Fisher to find the answers. I’m excited to see how this thriller unfolds.
  • A report on the party and the guests (11/12) – this is a film about a creature on a secret mission but is also about a pandemic and humanity destroying itself.
  • I am human (11/12) – this film is about cyborgs living as part of humanity and explores the human brain and what makes us human.
  • The American Astronaut (11/12) – on my current watchlist. This is one of the top 100 science fiction films of all time, so I’m excited to finally see this.
  • Truth or Consequences (12/12) – the film is set in Truth or Consequences, New Mexico (yes, this is a real place!!) and explores the concept of humans colonising new planets but what if you were left behind. I’m really interested in this idea, the further we advance into space exploration and I’m looking forward to this offering.
  • Skyman (12/12) – this film follows Carl who believes he will be the victim of repeat alien abduction. Is he right? Let’s find out! It’s also co-directed by Daniel Myrick of The Blair Witch Project! Woah!
  • I am Ren (13/13) – this film is a thriller about Artificial Intelligence and follows Renata trying to find answers to a mysterious event.

There are also 30+ short films this year to explore. Check them out here.

I’m really excited to see so much diversity in this year’s offering. This is the direction that science fiction film needs to be moving into. More women, more BIPOC/POC, more LGBTQ, more disabled, more neuro-diverse creators and actors. Representation FTW!

Get your pass soon: https://sci-fi-london.com/ SOPHFIFEST will be chatting about films seen on this site and normal social networks so check those out coming soon 🙂 ONE MORE WEEK! ONE MORE WEEK! ONE MORE WEEK!

Tagged : / / / / / / / / / / / / / / / / / / / /