Space Sweepers [2021]

“Who cares if a million lives are lost?”


Oh man, this film is incredible. Where do I even begin? So Space Sweepers is a South Korean space western film. It was released in 2021 and directed by Jo Sung-Hee. Apparently it’s regarded as the first Korean space blockbuster, which is amazing, and it’s available to watch on Netflix if you haven’t seen it. Obviously the next bit of this post is very spoilery (as per usual) so you know… continue at your own peril.

So the premise of the film is that it’s the year 2092 and the earth has become pretty much uninhabitable evidenced by people having to wear breathing apparatus when they’re moving around earth. UTS Corporation, run by their CEO/overlord James Sullivan, has built a new home for humanity which orbits earth and sort of mimics the ecosystem but as with most utopic cities, it is only available to the few elite people allowed to ascend. Meanwhile, the rest of Earth are left to suffocate and struggle. The film follows the shenanigans of a group of society known as Space Sweepers… which are kind of like road sweepers but in space. They’re tasked with collecting the space debris that floats in the earth’s orbit and they can then sell it to the company factory so big items are a big deal. The main characters work on the ship ‘The Victory. There’s Kim Tae-ho, Tiger Park, an android and Captain Jang. The backstories of each of these characters is really rich and very different. Tae-ho was a soldier who finds a baby and adopts it (a girl called Su-ni). He turns his back on being a soldier and then is made a non-citizen leaving him and his daughter homeless. This is so reminiscent of the way that a lot of countries treat their soldiers, that once they become useless to the state, they turn their back on them; so this specific backstory emphasises this reality. Anyway, he becomes neglectful and is therefore not paying attention when Su-ni is caught up in a collision between space debris and their sector. Su-ni is violently ejected into space and the government refuse to help find her body because he is considered a non-citizen. Tiger Park used to be a drug baron but has a heart of gold. Bubs was once a soldier bot. Jang was a child genius, but discovers how UTS works and decides to attempt to assassinate Sullivan, nearly dying in the process.

The crew pick up what they think is normal space debris, only to discover a child inside who the authorities are searching for. It is claimed that she contains a weapon of mass destruction created by the terrorist group Black Fox. They find a phone in her bag which they trace to a person willing to pay them two million dollars in exchange for the child. They arrange to meet the person at a nightclub but in the chaos, they lose the child Dorothy (Korean name Kot-nim) and UTS soldiers swarm the area, massacring people at the club (blaming it on the Black Fox group). It becomes obvious that Kot-nim is not just a normal kid and that she has some sort of power to manipulate nanobots and grow plants. The crew disagree about what to do as they attempt to make another exchange attempt. They are ambushed by masked people who reveal themselves to be fellow Space Sweepers working as part of the collective Black Fox which they explain is an environmental group; not a terrorist group. The group explain that the child was born of a disease and in an attempt to save her life, her father injects her with nanobots which gives her this special ability. It is revealed that UTS have been using this child to terraform Mars. that Sullivan plans to kill Dorothy and that this will be cataclysmic for Earth. They decide to work together to save humanity and reunite Kot-nim with her father and are momentarily successful but are then met with UTS soldiers who murder everyone save for the Victory crew and Kot-nim is kidnapped. Initially Tae-ho takes Sullivan’s finders fee but then realises he’s better than that and decides they must save the girl. The crew get to the bomb that Kot-nim is strapped to and free her but realise it cannot be diffused, that the only way to save her and the planet would be to separate the child from the bomb by 5,000 kilometres. Jang calls on all Space Sweepers to help on the emergency frequency. The Sweepers come to their aid and fight the troops. Sullivan intercepts them but they still manage to get away in time, revealing that they did a switcheroo.. That they gave the child to a friend and that instead they had the bomb. There’s a moment where you hear the inner dialogue of Sullivan as he says “Why? I did everything right” before he is destroyed. Kot-nim manages to protect them in the blast using her super cool powers, and the last scenes are of The Victory in the aftermath, Kot-nim happily living amongst the crew and the crew continuing to chase space debris.

So, there’s a lot going on this film and I really don’t even know what to say about it other than I thought it was just an incredible film.

Okay, I do have a lot to say. I have so many feelings.

I don’t want to be reductive but there is something so reminiscent in this film about Star Wars, specifically the ramshackle crew of Han Solo and co, the adventure of the Millennium Falcon. There’s moments in Star Wars where Han Solo is speaking in English, and Chewy in his language and they just get each other, and they move in and out of these dark corners of the universe with exotic creatures and it’s just incredibly mundane and ordinary seeming to watch it, even though it’s obviously like nothing you have ever seen before. I get that same feel when I watched this film. They’re kind of thrown together and everyone’s very different. At times they speak different languages but the Space Sweepers are just trying to survive. They have those jobs that seem really exciting but in this world, they’re considered the lowest rung of society. There’s this moment at the end of the film where the Victory spaceship whooses off after space debris and it brought me back to the whoosh of the millennium falcon. That same feeling of adventure and excitement that was so special it actually made me cry.

The cast are incredibly diverse. The version I watched was the original South Korean audio, with English subtitles, but throughout the film you hear a variety of different languages and accents. Russian. English. Middle Eastern. Spanish. German. And they all understand each other, which I thought was really cool. And then when you see the Black Fox group, that’s also represented by different skin tones and different accents, sometimes broken English/Korean. It’s not some homogenised version of the future like the colony is promising. It’s diversity and difference, coming together for a common cause, and I find that really quite beautiful.

I enjoyed very much the fact that the peripheral characters are so well fleshed out. I find often with blockbuster films that the main characters and their stories/dialogues will be fleshed out, but then all of the peripheral characters are very two-dimensional. A good example of that is in the Alien Prometheus film, and the end result of that is you don’t care about anyone except the main people… but what this fails to realise is that if you invest in more of your character building, that enriches the whole film. Some people see it as a sunken cost and merely a waste of time… but it creates such a rich film, it makes you get behind the story, it makes you invested in the story.. There are so many cool examples of this. For instance, the leader of the Black Fox group is also an accountant(?) for the UTS Corporation. You start off thinking he is a terrible pencil-pusher but he’s basically been working undercover this whole time. Then there’s the android Bubs, who the child instantly recognises is not a boy bot but a girl, and Bubs blushes and confides in her that she has been saving money from their jobs to upgrade and change her physique to one that represents her femininity. It makes her triumph in getting rich so much more endearing. Like at one point before that backstory was fleshed out, I was like why would an android want to be rich, but then you realise it’s for a very ernest reason which approaches the concept of transness in a way that I think both illustrates the feeling of otherness and also tells a story which endearing, and doesn’t use Bubs as just another joke at trans peoples expense.

All of the main crew also have different motivations for why they agree to sacrifice themselves for the child. Captain Jang wants to thwart the corporation and specifically Sullivan. Bubs has that sweet connection with the child where Kot-nim is probably the first and only person to see her as she truly is. I guess similarly Tiger Park is not seen as an object of fear by Kot-nim, where society does view him that way (which UTS plays off of with the propaganda they share with Earth as they scapegoat The Victory). Lastly Tae-ho sees his own daughter in this child, and decides to ‘step-up-to-the-plate’ in a way that he probably feels he was unable to with his own daughter in her final moments. So yeah, they all have different motivations but they ultimately add up to the same moral alignment. And I find it funny that despite the fact that these characters quarrel and fight amongst themselves and squabble after space trash, they still look out for one another. They sacrifice themselves without thinking, knowing that it is a suicide mission and have this deep integrity whereas society would suggest because of the line of work that they are in and their class status, they have no integrity. That they are simply vagrants and losers. If it wasn’t for the story having been leaked on the emergency frequency, you can guarantee that UTS would have spun that story that the explosion out on the edge of the universe was caused by someone else. Maybe even the Sweepers themselves! And then no one would have known about Sullivan’s evil plans. Which makes me wonder if the collision that killed Su-ni was even caused by space debris in the first place. What if there was some other reason and it was blamed on the Space Sweepers not doing their job correctly?

The one question I don’t think was answered properly, and forgive me if I missed this but what the absolute fuck was going on with Sullivan and the bulging veins?! He gave me vibes of white man saviour, like in the game Bioshock Infinite… you know where the guy becomes a prophet and claims to be the answer to humanity’s problems and builds this ‘utopic’ floating city but it turns out he is an absolute dick… Yeah you know the one..

Anyways, there’s so much in this film. It was really a joy to watch. Overall, this film is so exciting and complicated and heartwarming. On the face of it, if you look no further than the surface, it’s an adventurous romp across the universe, but not that far undearth.. a mere scratch below and it highlights af myriad of the current problems that exist in our society now such as class systems, inequality, how profit is reverred above all else, the fact that we are killing our own planet, our uncertain future, the ways in which we treat our most vulnerable… all in a fun and colourful South Korean package. It made me laugh. It made me cry. I adored watching this film and would absolutely watch it a million times over.

Tagged : / / / / / / / / / / / / /

Stowaway [2021]

“What are we gonna do, ask him to walk out of the airlock?”


Oh man, I meant to do a post about this one film a long time ago when I watched it back in June 2021.. Stowaway is a science fiction thriller which came out in 2021. You can see it on Netflix now, if you want to. I really meant to do a post about it straight away when I saw it because it had a big impact on me, but life took over, and I kept saying I would write something but never did. So, anyway, I’m doing that now; here I am writing a post about this! 

So, just to give a little synopsis about the film, here goes!

The film stars some pretty big names in Anna Kendrick, Daniel Dae Kim, Toni Collette and Shamier Anderson. It’s directed by Joe Penna and written by both Joe and Ryan Morrison. 

The story is about a crew of three people who are on a two-year mission to Mars, headed/piloted by Toni Collette’s character, a biologist in Daniel Dae Kim and Anna’s character as the medical researcher, Zoe. They take off from Earth and quickly find themselves in trouble when Michael, a stowaway, is found unconscious in a module somewhere in the ship sort of entangled in something that takes carbon dioxide from the air. As he falls from this module, he ends up destroying it which basically renders the ship unable to scrub carbon dioxide from it, so the longer that this extra person exists on the ship, the higher likelihood there is that they will suffocate. They move quickly to trying to think of various ways in order to scrub the CO2 from the air such as using lithium hydroxide canisters but the load is too much for them to handle. David then sacrifices part of his algae experiment which is literally the whole reason for the mission. Half of the algae die in the process and only provides enough CO2 scrubbing for a third person. Mission control suggests they try a dangerous mission to recover liquid oxygen from the spent upper stage rocket, which is not the ideal situation because it is so darn risky. So they spend time considering their options including whether to sacrifice Michael. Eventually they run out of time… all the algae has died which means they don’t have an option here. Presented with this, both Zoe and Daniel volunteer to try to retrieve the liquid oxygen. The mission is a total failure – predictably – and they barely make it back alive. Zoe ends up sacrificing herself, goes back to retrieve the canister, exposing herself to a lethal amount of radiation and the last scene is her looking at the stars and succumbing to death.

So, what did I think this film? 

I think it’s an interesting take on a conundrum, which I’m sure we’ve all seen, where there’s a wild trolley hurtling towards a split track and you are given a scenario of either killing one person who you don’t know or many who you do. What do you do? If Star Trek and Spock have taught me anything, it is that the needs of the many far outweigh the needs of the few and this is the core argument throughout much of the film.

I find it very fitting that Anna Kendrick’s character being a medical professional and therefore altruistic role ends up both pleading for a caring outcome (rather than killing Michael) and ends up herself volunteering to what is ultimately her own demise. I guess all the characters in this live up to the roles that they play and in the ways in which they ultimately approach this challenge. Toni’s character leads them to this difficult solution… Daniel’s character being the scientist tries to come to a scientific solution.. Anna’s character, as mentioned, takes on the caregiver role. And Shamier’s character Michael is the innocent in this situation; being the least experienced of the team. I found it interesting as well that one of the reasons for Anna’s character to sacrifice herself is that she did not have a family and I think that plays into an archaic gender role. Toni and Daniel’s characters can’t sacrifice themselves because they are core to the mission. One of the suggestions is that as Anna’s character does not have a family, that this makes her the preferred candidate. Does that devalue her as a person? It seems like that is implied. I guess it would be almost too easy for Michael, the person who stowed away, to sacrifice himself. It would be quite a boring ending. 

I also found it interesting that basically all of the algae had died because of this situation, so their whole reason for going to Mars at all (for, I assume, terraforming Mars) is destroyed.. It makes me wonder what happened afterwards when they got to Mars. I mean, it’s sort of implied that they would have gotten to Mars in the end because the end of the film is Anna Kendrick looking out at the stars and you can faintly see Mars in the distance. It feels hopeful despite this great tragedy. But then when they get there, what are they even gonna do? Are they just gonna turn around and go back? I always find this question of terraforming other planets quite ridiculous anyway… It’s an age old theme but I find it so silly because we have a perfectly habitable planet that we live on right now but we just treat it like shit. If we just looked after the planet that we lived on, perhaps we wouldn’t need to have conversations about terraforming anything because the planet that we live on literally has everything that we need in abundance. 

I really like that they never truly address why Michael has stowed in the ship because it almost seems irrelevant. It’s a mystery but knowing ‘why’ would not actually help them in their situation. I mean, I assume Michael was desperate to be part of this mission and that’s why this happened but equally he could have been fixing something and got stuck there in the module. Often in films where there is a stowaway, usually they’re young, maybe they’re trying to run away from something, or it’s something or someone evil putting the crew in danger intentionally. And so I think this was a really nice twist because this character Michael was actually very innocent. You can tell he is very troubled by his presence causing such a consequence, and that he did not wish to hurt anyone.

So all in all, simple concept and interesting moral conundrum. Well acted. At times stunning CGI. But quite a predictable film I would say. Still worth the watch.

Tagged : / / / / / / / / / / / / / / / / / / / /

Sorry to bother you [2018]

“I just really need a job”


Wow it has been a really long time since I’ve been on my science fiction shit, watching and posting to my site. I’ve been recuperating from surgery but I’m much better now so let’s get back to it, eh!?

I watched this film months ago some time in my recovery so my memory is sketchy, but loosely, the film (directed by Boots RIley) follows Cassius Green (played by Lakeith Stanfield) and there are some other big names in the film as well like Danny Glover, Patton Oswalt, David Cross and more. From the offset, Cassius is struggling. He lives in his Uncle’s garage with his girlfriend. He gets a job as a telemarketer for a large corporation called RegalView – largely it seems to impress his girlfriend –  which progressively presents itself to be quite a morally corrupt company. The aim of the job is to call random people and sell shit and Cassius finds that he is not successful until he puts on his “white” voice at which point he starts to excel in the company. Meanwhile, his colleagues form a union to strike unfair working conditions at the company but Cassius sells out to get a higher paid position in the “elite” team. While working there he discovers that the company are selling military arms through cheap labour, that employees sign up for lifetime contracts and are living in conditions that could be likened to prison. Then, after being invited to the CEO’s house party, he makes an even more sordid discovery that he finds hard to ignore…

Didn’t want to give too much away, but I really enjoyed this film. 

On the face of it, it was a dark comedy but the deeper I went into the film, the more fantastical it became weaving themes around inequality throughout. From the start with Cassius’s living conditions which are ridiculous but totally normalised, to the working conditions that RegalView put their staff through, the clear tiered hierarchy between normal people and the “elite”… And there’s this moment at the house party where Cassius, who is a Black man, is made to rap to his fellow colleagues and on being asked to do that, he imploringly looks to the other Person Of Colour in the room, as if to say ‘is this for real’ who gives this blank look in response… it’s so sinister and illustrates this obvious hierarchy of power between white people and POC even among the “elite” tier in the company. It’s also a pretty typical racist microaggression in real life… Instead of getting to know Cassius, they’ve made assumptions about him based on his colour as if he belongs to a monoculture… It would be like approaching an Asian person and asking them to do some karate moves or to make sushi for you… 

I would be curious to know if someone who was racially all white (not mixed like myself or not a POC) picked up on the same tensions that I felt throughout; it felt like it was building for a long time to the point that the ending was a bit like a kick in the stomach. But then it also felt like despite hearing throughout the film through snippets of news and so on that something strange was happening at the company, the inequalities seemed so much like normal life that the ending really came out of leftfield. Damn I really wish I had written this post as soon as I had seen the film because my memory is a little hazy right now. I’ve read some other reviews of the film where people thought it was messy. If I was to be super critical I would say I didn’t really rate the girlfriend sub-plot in the film. Her character felt like just a device to illustrate how down-on-his-luck Cassius was and a yard stick to show us how morally deficient Cassius had become, but that was also pretty clear through the way he treated the union so I’m not sure that her plot really added anything. Though I love Tessa Thompson. She’s a total babe and an excellent actress. Let me know what you thought about it yourself in the comments. Would love to hear what people thought!

CN: sexual assault

One thing to note was that I found out afterwards that the actor who played the CEO, Armie Hammer, had allegedly sexually assaulted a number of women IRL which I of course believe. In retrospect, his inclusion in the film soured it for me (and has soured a number of other films Armie has been in which I loved like the beautiful ‘call me by your name’) but it’s not often you have films with such diversity, with such an unusual story. I’m just glad the film seems to have had a great critical response despite that. 

So, all in all, original story. Surprising, yet so familiar it could be set in the near future. Loved Lakeith’s performance as well as the performances of the peripheral characters. Really enjoyed it. Check it out on Netflix. 

Tagged : / / / / / / / / /

Behind her eyes [TV] [2021]

“Everyone has secrets…”


This show turned up on my Netflix account recently and not knowing anything about it, my partner and I thought we would give it a try. It seemed to really tick my partner’s box in terms of type of shows she tends to watch whereas for me, I prefer sci-fi (obvs) but we gave it a watch and the show was really surprising. There are big spoilers in this post so YOU HAVE BEEN WARNED.

The show started out with a sexy liaison between Louise and David who meet by chance in a bar when Louise’s friend stands her up. Their chemistry is palpable and they share – DUN DUN DUHHH – a kiss before David calls it off and leaves abruptly. The next day Louise goes into work and realises that David is – DUN DUN DUAHHHHHH – her new boss! And he’s – DUN DUN DAHHHHHHHHHHHH – married! They agree to move past it but obviously it keeps happening over and over again and turns into a full blown affair. Meanwhile, there’s a parallel story about David’s wife Adele which paints David in this controlling light. Adele has no control over her own life which David sees to, calling her multiple times a day to check in on her and prescribing her heavy medication. Adele intentionally runs into Louise and befriends her, thus beginning a very weird love triangle where both Adele and David are hiding the fact they are friends with or seeing Louise, and Louise is also omitting this to both. Adele appears to be both vulnerable and mentally unstable and it’s hard to know what’s really happening. I feel like the story tries to force to you to question morality because of all these different scenarios that present themselves paint the main characters in this polarised way, but all the characters in this show are so flawed. The ex boyf, the best friend, David, Adele, Louise. The only pure character is Louise’s son who was the most adorable little boy <3

As the story unfolds, you see more and more pieces in this puzzle. We learn that Adele was in a mental institution, that her parents died in mysterious circumstances leaving her a massive mansion and grounds, that David was suspected of having something to do with their murder as he rescues her from this fire that has killed them. And then there’s this character Rob who you’re really not sure how he fits into it. He meets Adele in the mental institution and talks of Adele being like his escapism so when she is released from the hospital and invites him to the mansion, he jumps at the chance.

And then stuff starts getting REALLY REALLY weird out of the blue. It turns out that Adele has this supernatural ability to leave her body and go on adventures. She confides this in Rob who she has been coaching all along. Similarly in present day timeline, she clandestinely teaches Louise how to do this and gradually Louise pieces together that Adele knows about her and David because she has been watching them this whole time using her weird powers and that she might be dangerous.

We find out that David helped Adele cover up the death of Rob which David eventually owns up to Louise and goes to the police. Then right at the end, Louise realises that Adele is trying to take her life. Louise uses the paranormal abilities to jump into Adele’s body hoping to save her only to discover it’s a trap and Adele is definitely not who we think she is.

I really thought this was just going to be another sexy show about two cheating adults who can’t get enough of each other and the more I watched, the more it unfurled into this fantastical, paranormal thriller. I thought it was a pretty inventive storyline with a nice twisty ending, but then I didn’t like how polar the story was trying to paint the actions of the characters. Additionally, I really didn’t like how much they used old tropes in TV and film, like the ‘crazy wife’ or the ‘sexually promiscuous secretary’ or the ‘sexually promiscuous POC’ in fact! Even the cold and abusive way that David was acting in this, the storyline turned it around as if he was only acting that way because he was scared, poor him. He was only controlling his wife and cheating on her and cutting her off from the outside world because he was scared, which I don’t really buy. There’s this one scene where he’s like ‘thank you, you saved me, I’m going to march right to the police’ and he just walks off into Kings Cross station through open barriers and I half expected him to just disappear and never return. TBH I felt like they let him off really too easily given that he covered up what turned out to be a murder. He would have been an accessory if this were real, but instead he and ‘Louise’ lived happily ever after………

That said, I did enjoy watching the show. It was pretty entertaining and such a messy drama with such broken characters. The relationship between David and Louise is so sexy that it’s easy to get drawn into. I think more could have been done to develop the main characters so that they could be more nuanced, more colourful but I liked the Stepford wife gone wrong vibe and the twist. Additionally both performance from Louise and Adele were stellar. The paranormal aspect felt a bit tacked on; it hid under a nightmare remedy guise and I wish more had been made of it to show the impact of it on David and Adele’s relationship. For instance, David talks late in the series about how Adele appears to ‘know things she shouldn’t’ but earlier on when Louise and David are cheating, he doesn’t seem to mind or worry about that which seems inconsistent. In any case, enjoyable and spooky series and like Sharronda from ‘Pay or Wait’ says, Louise should have minded her own BIZNEZ! I’m glad I watched it.

Tagged : / / / / / / / / / /

Star Trek Discovery S1 [TV series, 2017/18]

Emperor Georgiou: “What’s wrong? Are you scared, Number One? Where I’m from, there’s a saying,’Scared Kelpian makes for tough Kelpian.’ Have you gotten tough since we served together on the Shenzhou, Mr. Saru?”

Saru: “Affirmative, Captain. Very tough. So much so that many find me simply unpalatable.”


You’ll probably notice a pattern. If I really love a particular series, it usually takes me a long time to really finish it; I guess I like to savour things. Star Trek Discovery is no exception. I watched half the season on Netflix when it initially came out. The second half, I put off until now until I could re-watch it in one go. I said to myself I wasn’t going to write a long review, but I love Star Trek too much not to, so here goes…

Firstly, before I delve into the series itself, I just want to note that whoever thought of the name of the show and the eventual acronym it would become known for… I mean, Star Trek Discovery… Could you not have thought of literally any other word instead of Discovery? Some ideas: Star Trek Encounter / Star Trek Explore / Star Trek Vision / Star Trek Sporedrive… etc etc? STD is such an unfortunate acronym to be known as… I know that officially it is DSC, but Star Trek fans all laugh about the STD-ness of it all.

Back to the show itself. I was brought up on Star Trek TOS, TNG and VOY. I’ve not seen much of DS9, Enterprise or the more recent Picard series (I know… SHAME!) so I can’t really speak to the way their shows were shot or the character portrayal. That said, what I have loved about STD.. ahem I mean DSC, is that other offerings of the Star Trek universe I have watched generally follow a captain, the deck and some notable exceptions (being the medical doctor, transporter people and very occasionally a kickass and extremely knowledgeable bartender). Ultimately though, the focal point is the captain. In fact, when I talk about Star Trek to other fans, often we do away with referencing the actual name of the series and refer only to them through the name of the captain. Oh I loved Picard era Star Trek etc etc. With DSC, the focal point is actually on Michael Burnham who starts out as the First Officer of the USS Shenzhou and then events take quite a turn. She’s extremely complicated as a protagonist and exists in her a great moral ambiguity and sometimes unlikability – as you learn more about her, you just love her though (I do). So that was quite unusual to me, and I really loved the fresh sort of change in this direction.

There were a couple great ‘what the fuck’ moments in the series – without giving anything away – that I wasn’t expecting where I was totally surprised and I thought generally the first season offering was really well written.

The character progression also allowed us to see and be opened up to this warm tenderness, particularly through its LGBTQ characters. In fact, this is the first season of Star Trek that saw openly gay characters feature through Paul and Hugh (fun fact: Paul, played by Anthony Rapp was the original Mark from the musical RENT, which happens to be my absolute favourite musical of all time and I listen to the soundtrack ALL. THE. TIME… and he also has this really quirky single/music video called ‘Out Out Damn Spot’ which is one of my go-to songs when I want to dance about. Go check it out. You’re welcome). HALLELUJAH! It’s really about time. Like what? You can imagine a species of peoples that look like wood? You can imagine a room people can use to pretend they are Sherlock Holmes and then Moriarty accidentally gets out and somehow is self aware even though he is just a computer programme? You can imagine an android finally getting his emotion chip and losing his damn mind? You can imagine Sulu going crazy and trying to fence people to death while maniacally laughing? You can imagine a Captain and a Borg being Best Friends Forever? You can imagine Captain Kirk sleeping with all manner of lady-alien? But you can’t imagine gay characters until two thousand fricking seventeen?! I know I don’t sound grateful… I’m REALLY grateful, and even more grateful that I know season two introduces trans and non-binary characters, but good grief Star Trek writers! Buffy the Vampire Slayer was literally writing about LGBTQ characters in the 90s, and that was a children’s TV show… I feel like we all deserve better but I guess at least Star Trek are representing a real spectrum of characters, which is more than a lot of other shows are doing. I just hope that other shows will take note! So yay? And thankyou? And about time? And please don’t take this away from us? But please normalise this? We need this? Also please represent more prominent characters with disabilities? Indigenous characters liken to our own?!

Last thing to mention is that it felt like the season was very top heavy, in that there was a lot happening along a couple story arks and the final cherry felt rushed with regards to mentions/resolution of a Klingon war and seemed a little unlikely and tacked on but the outcome of that ending led the season to be in a nice place for season two so…

Anyways, I loved it. Great characters, yay LGBTQ, really cinematic and epic visuals. I would really have loved to have watched the season in a cinema. I bet it would be GLORIOUS. Story was great. There are some fricking kickass women in this season, curveballs and concepts in space travel that haven’t been explored before, Michael Burnham is a literal joy to watch. All in all, really enjoyable. Would watch again. I’m watching season two now which is even better. More on that soon.

Tagged : / / / / / /