Thor: Love & Thunder [2022]

“I need to figure out exactly who I am.”


Image description: The image says the following: Directors: Taika Waititi / Genres: Sci-fi Action Fantasy / Year: 2022 / Rating: ***__ / Review: I feel like Thor's journey to discover Gorr came way too easy and that Gorr could have been a bigger villainous device considering he's one of the most powerful characters in the MCU. Bale was incredible & so spooky. I enjoyed Portman's storyline in this film, and think it closed the romantic door nicely. Overall thought it was a fun watch, but this film suffers immensely from being in the shadow of Ragnarok.

Image description: The image says the following: Directors: Taika Waititi / Genres: Sci-fi Action Fantasy / Year: 2022 / Rating: ***__ / Review: I feel like Thor’s journey to discover Gorr came way too easy and that Gorr could have been a bigger villainous device considering he’s one of the most powerful characters in the MCU. Bale was incredible & so spooky. I enjoyed Portman’s storyline in this film, and think it closed the romantic door nicely. Overall thought it was a fun watch, but this film suffers immensely from being in the shadow of Ragnarok.

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The Vast of Night [2019]

“People are saying there’s something in the sky.”


Image description: The image says the following: Directors: Andrew Patterson / Genres: Sci-fi Fantasy Thriller / Year: 2019 / Rating: ****_ / Review: This nostalgic film pays homage to 1950s sci-fi, with two main characters thrust together when they hear a mysterious sound over the radio. The film captivated me, and the way the film was shot made me feel like I was there, tagging along to solve a mystery, only really being pulled out of it at the end. Some scenes in this film are like a masterclass in cinematography (I'm thinking particularly of the long single shot scene). An otherwise simple script and question: where do they all keep disappearing to? I think it's aliens, mate. Worth the watch!

Image description: The image says the following: Directors: Andrew Patterson / Genres: Sci-fi Fantasy Thriller / Year: 2019 / Rating: ****_ / Review: This nostalgic film pays homage to 1950s sci-fi, with two main characters thrust together when they hear a mysterious sound over the radio. The film captivated me, and the way the film was shot made me feel like I was there, tagging along to solve a mystery, only really being pulled out of it at the end. Some scenes in this film are like a masterclass in cinematography (I’m thinking particularly of the long single shot scene). An otherwise simple script and question: where do they all keep disappearing to? I think it’s aliens, mate. Worth the watch!

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Everything Everywhere All At Once [2022]

“I Wasn’t Looking For You So I Could Kill You. I Was Just Looking For Someone Who Could See What I See, Feel What I Feel.”


Image description: The image says the following: Directors: Daniel Kwan, Daniel Scheinert / Genres: Sci-fi Fantasy Action / Year: 2022 / Rating: ***** / Review: This film blurs the line between a simple story about tense family dynamics and multiversal surrealism. Michelle Yeoh masterfully navigates the viewer through the confusing tangle. Breathtaking visuals. Bears repeated watching. This film blew my mind. Definitely recommend.

Image description: The image says the following: Directors: Daniel Kwan, Daniel Scheinert / Genres: Sci-fi Fantasy Action / Year: 2022 / Rating: ***** / Review: This film blurs the line between a simple story about tense family dynamics and multiversal surrealism. Michelle Yeoh masterfully navigates the viewer through the confusing tangle. Breathtaking visuals. Bears repeated watching. This film blew my mind. Definitely recommend.

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Psycho Goreman [2020]

“It would be nicer if you were dead!”


So, starting back after a little summer holiday hiatus with a little fun…. Psycho Goreman is 2020 film directed by Steven Kostanski. It’s somewhere between sci-fi, fantasy, horror and gore, as the title implies. The film has themes of monsters, creature feature, space and aliens. It has obviously been dated and has the feel of an 80s or 90s film to me. 

Anyways so synopsis! The main stars, two siblings Mimi and Luke are playing a game only they know the rules to when they come across an unusual gem in a hole in their garden. Shortly after, a monstrous figure emerges from the same hole and creates a path of destruction and death. It identifies himself as “Arch Duke of Nightmares” and reveals its plan to destroy and imprison everything and everyone in its path. Looking for the gem, it meets Mimi and Luke, and Mimi discovers that the gem actually controls the monster who she names Psycho Goreman (or PG for short). She then wields this power for her own amusement. An intergalactic panel arrange to send a warrior down to earth to kill PG. Meanwhile we learn that PG’s aggression is an act of vengeance after his enslavement by the same group of beings now being sent to kill him. There’s some sub-plot stuff going on in the film where the parents of Mimi and Luke are clearly in dire need of a divorce (they’re truly awful people), Luke’s best friend gets turned into a brain, PG wreaks havoc on a policeman turning him into a zombified thing and manipulates Luke into revolting against Mimi in a bid to recover the stone. It all comes to a head with a final battle where Mimi fights Luke, Mum fights Dad, PG fights the warrior. With no end in sight, Mimi proposes a final battle using the game Mimi and Luke created together. It’s hard to describe what this game actually entailed due its complex rules and even harder for the characters to understand themselves but in any case, Mimi’s team wins, the gem is given back to PG and he promises to spare the family. The final scenes are of PG’s rampage across the universe. 

So, what do I think? The film as a whole is awful but in a really fun way. The acting was over the top and it felt like, as with a lot of gore films, many scenes were super gorey for the sake of gore like this crazy scene where we see the warehouse which is PG’s first stop in the film and it’s the most incredible scene you’ve ever witnessed. Body parts all over the walls, and a random guy’s eyes are just rolling back into his head into infinitum all because he said “I don’t want to die” so PG says “don’t worry I’ll make you live forever” and he is true to his word, leaving this poor homeless man in absolute hellish never ending agony. Brilliant. It’s so horrible that it ends up being really funny, sorta like when Joker does these truly heinous things to people in Batman films and there’s something so disgusting and amusing about it all. 

The young Mimi character in this is so sassy. She’s the perfect actress for this film and she’s kind of awful as well. I liked that she was so annoying that she didn’t read like a child acting as a child, she just felt genuinely like an aggravating brat. She used any opportunity to tell her dysfunctional parents to fuck of; there was really no telling her what to do, especially because they were the worst parents of all time. In a sense they were too caught up on their own stuff to really understand that their kids were in terrible danger until the last minute. They even met PG and their first instinct wasn’t to get the hell out of there. I like that the dad was very obviously going through huge trauma, i.e. there is something very wrong with this guy. He’s seen something that traumatised him. On the face of it, he seemed like a really lazy man taking advantage of a hyper functional wife but there were moments when he would look into the distance and you could see the whites of his eyes and you knew he was a broken man. 

One of the funniest moments is just a small bit where Mimi asks if PG wants a magazine of hot hunky boys and PG says “I DO NOT LIKE HOT HUNKY BOYS” and then he quickly changes his mind with “MAYBE I DO LIKE HOT HUNKY BOYS”. It was such an unnecessary moment to the plot but very amusing. There are many moments like this in the film that are unnecessary but wildly entertaining. Another moment like that is about Luke‘s best friend, who was turned into a brain which I mentioned earlier. It’s really not talked about in the film. Even when the film concludes and Mimi returns the stone to PG, there is no resolution for the kid who got turned into a brain. There is the scene at the end where you see him going to eat dinner with his parents are totally silent. Presumably enough time has passed and they have come to terms with this but it’s just such a weird scene. His hands are flopping around while he tries to use the fork and knife to eat. Can you imagine him becoming an adult brain? Can he have a family? What will he go on to work as? Does he have the average intelligence of a child or does the size of his brain-bod increase his intelligence? It’s really bizarre and I have questions. And the terrible fact is that it’s Mimi’s fault that he becomes like this, which really brings into question who is the real monster here: Is it PG or is it Mimi?

I mean.. Imagine being in the room when someone pitched the idea for this film. 

Film guy: Hey so there's a gem yeah, and a child finds it and it controls the ultimate villain of the universe. 
Some guy with money: Ok… 
Film guy: So the kid wields it over him
Some guy with money: Right… 
Film guy: But he manages to destroy a bunch of people, turn a child into a brain and fuse a gun to the hand of cop and zombify him
Some guy with money: And? 
Film guy: And there’s a warrior that looks like a mechanical angel you would expect to see in Doctor Who and some aliens who get killed with space knives
Some guy with money: Hmm
Film guy: And the villain promises not to kill her but then he kills literally everyone else 
Some guy with money: …
Film guy: And somehow I want to throw in a confusing kid’s game into the mix that no one knows how to play
Some guy with money: … 
Film guy: Are we making this or what?! **motions to do a high five but gets denied**

That is how I imagine it went, yet somehow this film was made. 

So all in all, entertaining and fun film to watch. Probably not going to win any awards and I question how and why it was made, but it was a fun couple of hours nonetheless. 

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The Room [2019]

“The only thing more dangerous than a man who can’t get what he wants, is a man who can get whatever he wants.”


Not to be confused with one of the worst films of all time with the same name, The Room, directed by Christian Volckman, follows Matt and Kate as they embark on the exciting new venture of HOMEOWNING. Matt is some sort of artist which seems pretty irrelevant tbh and they talk about how he’s gonna make a shit-tonne of money one day so she can stay at home. Which she kinda does anyway… Anyways, back to the plot! They move into a massive, old manor and as they are decorating realise that they have a strange room in there that appears to give you everything you wish. So they go on a bit of a bender before realising that the thing they truly wish for is the one thing they can’t have… a baby. Before long they realise that nothing created in ‘The Room’ can survive outside; that there is some sort of mystic power that exists only in the house. Matt, meanwhile, seeks to find answers from someone called John Doe, the previous occupant of the house who reportedly murdered his parents who tells him that in order to live, his parents had to die (suggesting that anything made in the room has to kill its creators in order to live) like some sort of ultimate sacrifice.

Kate wishes for a baby and starts to care for it like her own, calling it Shane. Over time we see the child grow older, completely cut off from the world. They tell Shane that he cannot go outside because it’s not safe to do so. Tensions grow stronger over time and in one moment of rage, Shane manages to get outside and ages rapidly and painfully.

Soon the kid learns about the room and intentionally ages himself into the body of man (whilst still having the mind of a child). He fights Matt and knocks both parents out before taking on the guise of Matt, pretending that the child had in fact died in combat. Then ensues a long scene of the real Matt trying to find Kate, and both of them running through a labyrinth of houses being chased by Shane, all within The Room. Eventually, they manage to beat the kiddo and make it out alive.

Or do they?

I found this film fairly enjoyable. I thought it was a pretty decent film and a good premise, quite tense, helped by the growing tensions of these three characters locked away in a small space.

I enjoyed that once Matt and Kate had worn out the novelty of the room and the capitalist desires they initially had, that they turned to more wholesome desires. Just goes to show how quickly that sort of meaninglessness can burn.

There’s one scene where Shane(?) is trying to get into the door – Matt has removed the key and locked it away – and he breaks down the panels next to the door and crawls through tree roots, which it turns out are intertwined throughout the house. Something about that scene, and the look of the door to the room, how Matt initially finds it and the key itself really reminded me of this 2010 horror/thriller ‘Don’t be afraid of the dark’ starring Katie Holmes. In fact, in that film, Katie and her family move into an old manor. There’s vines and shrubbery everywhere. They tear down a wall hiding THE SCARY DOOR to a room not with wishes, but instead spooky toothfairies… so quite a different film but it had very much the same feel to it, aka secret door thriller. There’s something about that old adage, ‘curiosity killed the cat’, in these types of films. You see the characters punished for their curiosity by opening the door that obviously shouldn’t be opened… it’s literally the oldest story in the book, you know the one where Eve was told not to eat the apple and she did, and then Adam and Eve were banished from heaven… or when Pandora opens the box she’s told not to open and unleashes all the evils unto the world. It’s a strange trope to keep repeating in horror or thriller films because humans are curious by nature, and our curiosity literally invented the wheel and other cool shit, so to repeatedly punish ourselves through these films is pretty humorous to me.

I liked the twist at the end, though I gotta say I saw it coming and I wish it was a little more subtle than it played out. Lots of directors are following in Christopher Nolan’s shoes, post-Inception, which really set the/a bar in terms of how thrillers should be. It feels like in the last 10 years I’ve seen a lot of thrillers which hamfisted their way through endings with a OR IS IT moment, which could have been way. more. subtle. I really enjoy the ones that get it right, because they get me thinking a lot more, or reading into moments questioning what I think I saw a lot more. This was not one of those films… it was more like IS IT? YES IT IS. No questions. TBH I completely forgot I watched this film within about four days of having watched it, so even though overall I enjoyed it, and I enjoyed it whilst I was watching it, it became pretty forgettable.

Overall, enjoyable film but pretty formulaic. I read someone review this as an act of genius, but perhaps they were watching a different film, because that’s not the impression I got. Still worth a watch, but take it with a pinch of salt!

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Guardians of the Galaxy [2014]

“You said it yourself, bitch! We’re the Guardians of the Galaxy.”


So, my partner had never seen this film before, so I decided that had to be remedied, forthwith, though I have seen this before in the cinema. On second watching though, it is still as charming and had me laughing just as gleefully as the first time.

The film follows the escapades of the ‘Guardians’: Peter Quill, grifter extraordinaire and the heart of the group with a penchant for 70s and 80s rock ‘n’ pop tunes; Gamora, adopted/kidnapped daughter of the most evil dick in the universe Thanos and one of the most badass bitches in the universe; Rocket Raccoon, the genetically modified brains and engineer of the gang; Drax the Destroyer, the brawn whose childlike, literal manner is really quite touching; and lastly but not leastly Groot, who has the most limited vocab of the bunch but always manages to get his point made and is equal parts wrathful and sweetness. Special mentions to both Nebula (Gamora’s estranged sis) and The Collector (played by Benicio Del Toro) who was just plain creepy and weird; also did anyone notice Nathan Fillion (Firefly) and Rob Zombie in this film(?!) I just read their names in the cast list and I am SHOOK.

I digress.

On paper, this modicum of misfits really shouldn’t work but in reality they fit together like a puzzle, and both as characters and as actors there’s a chemistry on screen that you cannot deny.

This movie is just pure fun, and in terms of the Marvel universe, it was a welcome change from the previous timelines of MCU films which took a darker turn. It feels like the perfect blend of entertainment, action and humour, and I suspect its existence set the bar extremely high for subsequent Marvel films to come.

The soundtrack is an absolute joy and I loved it. I actually bought the soundtrack on tape the first time I saw the film so that I could enjoy it long after. Tape sparks this really reminiscent thing in me about my own childhood and making my own mixtapes. I remember painstakingly recording my favourite songs off of the radio (which is what you had to do if you didn’t have the album yourself in the days before on-demand streaming music). For those who don’t know, you would have to sit and wait for it to play out as it recorded so not something you could make idly like you can with a Tidal or Spotify playlist… It’s so funny to me that that specific aspect of the movie would only speak to older generations, because newer ones wouldn’t understand how precious that is and how much work would have gone into making a gift like that. That Peter’s mum would have made it, ridden with cancer as she was, speaks to a really profound love for Peter and was such a simple yet touching aspect which enveloped the movie with love. The soundtrack is perfectly woven into the movie, so that every song showcased has a significant purpose.

SPOILER & CN – ableism: There’s one moment in the movie which made me feel quite uncomfortable which is where Rocket makes Peter talk an amputee into getting his prosthetic leg from him (for a price) and laughs gleefully about how the amputee must have looked without it. I wondered how disabled people would have interpreted that moment… there’s an obvious shift in the Guardians on-screen about this making them feel uncomfortable and it seems to be a symbol that though Rocket is advanced, he is still an animal at heart… I think if that was the intention, it could have been done a different way that was not ableist and didn’t poke fun at disabled people… USA’s president Mr Trump has got that basic shit covered, so I hear. This is the one bit that dates the movie for me, because its existence is a sign of society acceptance (at the time) of subtle digs at disabled people like it’s just ‘innocuous fun’. I very much believe that would not have made it to screen by today’s standards.

Anyways, despite this I enjoyed the film a lot. It was a really fun (re-)watch, the casting was perfection, the action was so good and CGI really gorgeous (particularly the massive floating skull in space and the interlocking ships). I loved that the characters were complicated and had space to grow and change as the story progressed. It’s still a solid top ten MCU film of all time for me. Thumbs up!

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