“What happens to us after we die? The only way to find out is to see for ourselves.”
Thanks to all the WATCHERS who joined me for the January watch party of this little gem. We had such a lot of fun and banter-galore!
So this film is both a remake and sequel to the 1990 film of the same name, directed by Niels Arden Oplev and stars Elliot Page, Diego Luna (of Y tu mamá también) and some other peeps!
First things first. If you’re coming into watching this thinking ‘wow Elliot Page? It’ll be a gem’, I gotta pre-warn you that this is not gonna be one of those films… I’m not one to usually suggest people don’t watch films. I think you’re an adult and can make up your own mind, but this one was pretty basic.
Medical student, Courtney (Page), is looking to crack the code behind what happens to your mind when you die and decides to rope in a couple fellow students. Page is hooked up to a neuroimaging machine, tells the two colleagues to stop Page’s heart and then resuscitate in 60 seconds. They begrudgingly do so after Page explains a waiver has been prepared and that they need not worry about repercussions. Page’s pals do the deed and Page survives. Then #hardpartayyyyy. Thus starting a cycle of subsequent students in the friend group trying the same, tensions around will they/won’t they save them from dying in time and then the group go into party mode. There’s a plot in there where all of the students who tried the experiment end up seeing what appears to be malevolent ghost but they don’t really address this until pretty much the end of the film but don’t worry they all learn something in the end…
Sooooo…. This film wasn’t what I was expecting. I love Page and he normally has a good track record for starring in at the minimum ‘average’ and at best ‘excellent’ films… I was really hoping that this ‘remake’ would extrapolate from the original – an already average film… maybe make it even better? But from all accounts that’s not the case. The scriptwriting was weak. I mean, I had a lot of fun watching it with all the fun WATCHERS and I don’t regret watching it, but had I watched it alone I think I would have thought it was a waste of time!
Erm so pretty big spoilers ahead: I really hoped, like a lot of the WATCHERS, that more of the sciency bits would have been expanded on. It felt like they threw in some well-known parts of the brain and said they flared up on the monitor, but didn’t really expand on that in any way when there was certainly opportunity. The budget for the film showed that they had money for a great deal of technology, the visuals and the soundscape (more on that later) were decent. Where it fell short was the reductive script… It seemed like jump scares for the sake of jump scares tied together with a few scientific terms and everything else was a footnote or an afterthought.
The experiences the characters had after death were so inconsistent that it didn’t seem believable. Some became haunted by people who had died (one at fault, the other not), others by living people who were apparently still on their mind and the take away is YOU GOTTA FORGIVE DUDEEEEE JUST FORGIVEEEEEEE. None of them had any redeemable characteristics. They all seemed like thoroughly terrible people from start to end. The main and supporting characters seemed two dimensional. There were two Black women/POC/BIPOC in the film which I was excited about and the script seemed to focus on at least one of them a little (Sophia), showing her to have a little dimension as a studious and anxious person… And THEN, following from her out-of-body experience, they have her fuck the shit out of one of her co-characters. Who doesn’t like a sexy scene? However, the choice they made for the only POC/BIPOC character to play that role, and the focal, uncomfortable and aggressive way it is done further builds on this hypersexualised stereotype in film that comes up time and time again that Black women are somewhat sexually deviant. This is further contrasted when we see a second sexually romantic relationship between two white people in the film but their sexual endeavour is portrayed in a gentle way. It creates this idea that Sophia is animalistic, fetishising something that is actually healthy. And then there is her mother figure, the only other POC character in the film who is desexualised and to me came off a bit like a mammy stereotype. They’re too pretty pervasive stereotypes in film so…
The only saving grace of the film is that the soundscape composed by Nathan Barr is pretty stellar.
So in conclusion, great soundtrack, very little storyline and pretty poor characters though fairly acted well despite what they were given! Jump scares actually made me jump even though I knew they were coming. That said, it felt like the film did neither the horror, nor the science fiction that well so… I personally wouldn’t recommend watching this. If you’re gonna watch any Flatliner, make it the original but listen to the 2017 film soundtrack so you get the best of both worlds! Also I still love you Elliot Page.