Sorry to bother you [2018]

“I just really need a job”


Wow it has been a really long time since I’ve been on my science fiction shit, watching and posting to my site. I’ve been recuperating from surgery but I’m much better now so let’s get back to it, eh!?

I watched this film months ago some time in my recovery so my memory is sketchy, but loosely, the film (directed by Boots RIley) follows Cassius Green (played by Lakeith Stanfield) and there are some other big names in the film as well like Danny Glover, Patton Oswalt, David Cross and more. From the offset, Cassius is struggling. He lives in his Uncle’s garage with his girlfriend. He gets a job as a telemarketer for a large corporation called RegalView – largely it seems to impress his girlfriend –  which progressively presents itself to be quite a morally corrupt company. The aim of the job is to call random people and sell shit and Cassius finds that he is not successful until he puts on his “white” voice at which point he starts to excel in the company. Meanwhile, his colleagues form a union to strike unfair working conditions at the company but Cassius sells out to get a higher paid position in the “elite” team. While working there he discovers that the company are selling military arms through cheap labour, that employees sign up for lifetime contracts and are living in conditions that could be likened to prison. Then, after being invited to the CEO’s house party, he makes an even more sordid discovery that he finds hard to ignore…

Didn’t want to give too much away, but I really enjoyed this film. 

On the face of it, it was a dark comedy but the deeper I went into the film, the more fantastical it became weaving themes around inequality throughout. From the start with Cassius’s living conditions which are ridiculous but totally normalised, to the working conditions that RegalView put their staff through, the clear tiered hierarchy between normal people and the “elite”… And there’s this moment at the house party where Cassius, who is a Black man, is made to rap to his fellow colleagues and on being asked to do that, he imploringly looks to the other Person Of Colour in the room, as if to say ‘is this for real’ who gives this blank look in response… it’s so sinister and illustrates this obvious hierarchy of power between white people and POC even among the “elite” tier in the company. It’s also a pretty typical racist microaggression in real life… Instead of getting to know Cassius, they’ve made assumptions about him based on his colour as if he belongs to a monoculture… It would be like approaching an Asian person and asking them to do some karate moves or to make sushi for you… 

I would be curious to know if someone who was racially all white (not mixed like myself or not a POC) picked up on the same tensions that I felt throughout; it felt like it was building for a long time to the point that the ending was a bit like a kick in the stomach. But then it also felt like despite hearing throughout the film through snippets of news and so on that something strange was happening at the company, the inequalities seemed so much like normal life that the ending really came out of leftfield. Damn I really wish I had written this post as soon as I had seen the film because my memory is a little hazy right now. I’ve read some other reviews of the film where people thought it was messy. If I was to be super critical I would say I didn’t really rate the girlfriend sub-plot in the film. Her character felt like just a device to illustrate how down-on-his-luck Cassius was and a yard stick to show us how morally deficient Cassius had become, but that was also pretty clear through the way he treated the union so I’m not sure that her plot really added anything. Though I love Tessa Thompson. She’s a total babe and an excellent actress. Let me know what you thought about it yourself in the comments. Would love to hear what people thought!

CN: sexual assault

One thing to note was that I found out afterwards that the actor who played the CEO, Armie Hammer, had allegedly sexually assaulted a number of women IRL which I of course believe. In retrospect, his inclusion in the film soured it for me (and has soured a number of other films Armie has been in which I loved like the beautiful ‘call me by your name’) but it’s not often you have films with such diversity, with such an unusual story. I’m just glad the film seems to have had a great critical response despite that. 

So, all in all, original story. Surprising, yet so familiar it could be set in the near future. Loved Lakeith’s performance as well as the performances of the peripheral characters. Really enjoyed it. Check it out on Netflix. 

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A report on the party & the guests [2020, SciFi London 2020]

“Good afternoon citizen. Is your life without meaning?”


This Danish film, directed by Søren Peter Langkjær Bojsen, is a really unusual one. A creature who calls himself Rudolph washes up on a beach in Estonia with his unconscious mother. He talks some nearby strangers to help him get her to a car, saying she has heat stroke and that she passed out. He takes her to some sort of warehouse where they can recover. Meanwhile, we find out that an epidemic called Saudad has ravaged the human population. At the same time (possibly because of this) technology seems to be fully automated to the point that humans aren’t really needed and are kind of irrelevant. There are a number of conspiracies which we see through a YouTube channel called TruthRage, that some automatons are amongst us and that they infiltrate into top positions in society, and we see various other conspiracies throughout the film from this channel. It seems like they are suggesting that humans are being controlled by these beings and we are told “they’re just following their instincts”.

Rudolph quickly inserts himself into normal society and gets himself a job in technology for Intuflex who seem to do some work relating to technology and intuition (he is told “your intuition will shape the future”) although it’s unclear exactly what this company does. When not at work, he observes human life. He also obsesses over trying to communicate with his home planet attempting to create communications devices, whilst his mother seems to be dying. To further study humans, he calls himself a photographer and goes to various parties with artists (which the conspiracists call ‘The Hoard’, a group who have migrated to the suburbs after the epidemic) to learn more about people, sharing a psychedelic machine with them that seems to bends their minds and possibly gather information about them. Rudolph ends up being told by a fellow alien that the home-planet have forgotten them and in order to be free, he will need to let go of the past.

Really unusual movie. A lot of it was shot in this handheld home camcorder style, which made it feel like Rudolph was genuinely taking a report of humans back to his planet. In the Q&A, the director said that much of the scenes where Rudolph is at the party doing this, he was instructed to interact with people who were just being themselves, not acting. That natural side really comes through, I thought.

Also I enjoyed that the film was ambiguous. It could have simultaneously been pitched as a story that Rudolph was not an alien, that in fact he was sinking into madness, because it was quite unclear for a long time if his so-called mother was an alien or if she was dead and he had killed her. Occasionally she would make noises but as a viewer, I supposed that those noises could well have been a ‘death rattle’ which are the sounds a dead body makes when certain gases are expelling from the body as it decomposes (I saw that once in a TV show). So I spent much of the film questioning who Rudolph really was and if he was being sincere. To be honest, seeing the mother go through various stages of decomposing made me feel quite uncomfortable, like it was too real. Particularly as for most of the film I felt like she had been murdered. I guess I wasn’t really anticipating seeing that from the synopsis, this implied violence towards a woman. I think if I had been mentally prepared for seeing that, maybe it would not have made me feel so uneasy. It’s funny, because I watch a lot of true crime, but I’ve never seen a body as graphically decomposing as in this film, and it really bothered me.

All in all, very interesting dark film. Well acted. Really great trippy visual effects, particularly in the scenes where Rudolph is showing people his mind-altering machine. I can see the influences in there by The Man Who Fell To Earth. I thought there was quite a lot going on, between the epidemic and conspiracies and this so-called alien, but it didn’t feel like it was cramped with too many complicated storylines. Great ending. I enjoyed it. Check it out.

You can watch this film here. You will need to buy a film or festival pass to watch it though.

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