The Endless [2017]

“You act like it’s crazy, like I’m the first person in history that actually wants to live forever. With people that like him. You know, there is not much difference between being stuck in a loop and being stuck repeating the same shitty day over and over like back home until I die.”


Oh man. I’ve been meaning to write posts for so long. 2021 was a bad year for mental health (for lots of people but specifically me) and I have only had sporadic desire to write but I have the spoons for it today so I wanted to quickly post a couple of recent SOPHFIFEST The Watcher films from Jan and Feb (this week) while I have the drive to!

So, here goes! ‘The Endless’ is a 2017, science fiction/horror movie which stars and is directed by Justin Benson and Aaron Morehead. This isn’t the first film that they’ve co-written, co-directed and starred in. It’s actually meant to be a kind of sequel to their 2012 film ‘Resolution’, which I’ve not yet seen but I am going to watch thoooon. (Resolution shares the same universe and some of the same characters supposedly.)

So THIS film begins with brothers, Justin and Aaron Smith when they receive a video cassette from Camp Arcadia, a group they went to when they were kids after their mum died. They both have very different ideas about what happened when they were there. Aaron thinks that it was simple, commune kind of living, and Justin (who seems to be the older broski) thinks that it was a cult so they have very different feelings about that period of their life. There’s talk in the tape about ascension and Justin is worried that it relates to some sort of mass suicide but manages to still be talked into returning when Aaron expresses that he hates his boring day-to-day life. I think that Aaron particularly feels resentful that he lives this life when he could be back at Camp. So they go to Camp Arcadia. Everyone is quite friendly with them and it feels like no one has really aged. Aaron receives a lot of attention which he welcomes but Justin is super skeptical. There seems to be one member – Hal – who appears leader-like but at some point he says that there are no leaders in this camp. He’s also a physics buff and has a complicated equation drawn in chalk on a wall, to what he cannot say. Aaron grows very fond of the camp and he ends up convincing Justin to stay an additional day. And then lots of weird things start happening at the camp, which no one seems to be that phased by. There’s a moment when they play this weird tug of war game with a rope that just sort of floats in the sky and they just believe that someone is on on a ladder, holding the rope out of sight. We see birds flying in circles. There’s the weird dude who keeps running past them without saying a word. The sobbing woman. Justin thinks someone is watching him. He gets left a picture of a buoy, which he later finds in the lake so he dives down to see what it leads to and nearly drowns in the process (it’s a box with another tape). Oh and there’s the other matter of there being MULTIPLE FRICKING MOONS! And the general ominous words from Hal suggesting Justin come to a conclusion before the third moon. Justin is, rightly so, freaked out by all of this and wants to leave but then he and his brother have a fight and it turns out Justin told him a bunch of lies when they were kids, suggesting that the people at camp were all castrated and alien loving death cultists. This makes Aaron and Hal super mad. Hal asks Justin to leave, but he can’t because his car is borked. Typical. Justin tries to get help and bumps into the guy who keeps running past him, and the guy tells him that they’re all trapped there in time loops, that he tried to kill himself many times and that an entity is trapping them there (it seems to get some sort of sick pleasure out of the violent nature of their repeated deaths, evident when he’s like “it won’t let me sleep, it won’t let me dream”). He warns him if he doesn’t get out by the time the 3rd moon rises, Justin and his brother will also be trapped and gives him a compass to help him find his way. He ends up finding Aaron but not before seeing more weirdness and they go back to camp and find a previously locked door open (the spoooooooky door) inside which is a tonne of different tapes dated from years and years ago and when they enter, a TV starts playing and it’s showing them Justin and Aaron in different scenarios from the entity’s perspective. Freaked out, they try to find the camp peeps and realise that the whole camp have been obliterated and then the entity starts to engulf the camp and they have to run. In the mad dash, they fight over Justin wanting to do things his way and eventually he relents and they manage to get away. The last scene suggests they might be looping to the beginning but then you realise they might have actually made it out.

Sooooo, I really enjoyed this film. The concept is so interesting and something I’ve not seen before. They put a few different sci fi/horror concepts together for maximum creep factor. The weird cultish camp. The Stepford Wives type grinning fella. The magnetic cult leader. It gave off this real Deliverance vibe which set the hairs on my neck on end pretty early on, despite a lot of the film being shot in a lot of light. It would be easy to make something creepy in a cultish cabin in the woods at nighttime; that would just play on our natural fear of nighttime danger… but this film managed to maintain and build tension without any of that for the most part. Not helped by the brothers’ tendency to make a lot of silly (what seem like) dangerous choices throughout the film, and you’re just like why are you doing that, that’s really not smart dude?! I believe, also, the way the two brothers were written lends creedance to that because they play two different dynamics. They play the child and the adult. The innocent and the skeptical. So throughout you hear perspectives of the camp and its people through these two different lenses and not really knowing where you stand and whose opinion to trust makes it so uneasy. So when you do start seeing a bunch of weird things happening you think maybe you can’t trust your judgement, because both Aaron and Justin are unreliable narrators of this story.

I also really enjoyed that it felt very much that the sci fi and horror elements seemed to come secondary to this story of brotherhood. At the beginning Aaron is complaining about being stuck in Justin’s way of doing things which has them in their own little loop. It takes them getting stuck at the camp to firstly realise that they WERE stuck but also maybe doing things Justin’s way… the cynical, one foot in front of the other, not trusting anyone or anything, only having each other… it really hasn’t served them all that well. By letting go at the the end of the film, Aaron feels like he has closure from this camp and maybe Justin does have capacity to change. It’s a very loving ending. It’s like Justin accepts Aaron in that moment, and then they pass what is apprently the grave of the mother at the end, so it feels like a little nod to her that they’re okay; they found their way eventually.

Another part of me feels like maybe they didn’t get out at the end. In fact, maybe they’ve been actually stuck in a loop this whole time. We assume that they left the camp when they were kids and that they couldn’t possibly be stuck by the same entity because the people in the camp are ageless even though maybe 20 years have passed… But maybe no one ages in those specific time loops because most of the people who re-spawn do so after they try to kill themselves. We see the camp eviscerated and assume the entity did that but maybe they WERE a suicide cult and that’s what keeps bringing them back to the start. Maybe because Aaron and Justin endured their own loop, and were unaware they were stuck in one, they never tried to kill themselves so they aged. I don’t know. That has been playing on my mind since I watched it and I love that. There’s also the moment at the end when they drive away and you think they’re not gonna make it because there’s loads of birds trying to get through the forcefield and bouncing off and it seems like they make it out but my brain goes to: OR IS IT?! My brain has been saying WHAT IF since I watched this film. I mean, it must be called The Endless for a reason. Maybe it really is Endless.

I have a lot of questions in my mind about when this all began. Who was the first person to get stuck? The tapes behind the locked spooky door suggest this goes deeper than the handful of characters we see. And I also wonder what the entity gets out of this. Where does it come from? How long has it existed? What does it really look like? What is the purpose of all of these different time loops? Does it feed off of them somehow? Or is it just for its own entertainment? Is it like a weird, adult version of Monsters Inc where this entity scares these people to death over and over in their little time pods, and that generates enough energy for this alien’s home world? Maybe Aaron and Justin ARE on its homeworld, trapped. Or maybe they’re actually in limbo. One theory that crossed my mind was that they actually had something to do with their mother’s death… that they inadvertantly caused her to crash with their bickering when they were kids and while she went to heaven, they went to this hell dimension where they were forced to live out their own personal sense of hell until they could come to terms with something they had to learn… which might work because the cult, and the weird angry dude may have killed themselves… And there’s a couple moments when Hal is trying to work out some answer. One way is through an equation (which supposedly is about light?? I don’t really know) and another is in a moment where he says something like ‘maybe the lesson here is forgiveness’ about Justin, after which he immediately acts in ways that are very unfogiving. Maybe they’re all stuck in hell too with something to learn before they can ‘ascend’ to heaven, and the entity is actually a monstrous Lucifer. And I’ve also seen some theories that this is all a machination of the character Mike, that he is just insane and this is all in his mind (but that would be WAY too easy).

There’s a potential further theory tied into the idea of the land being Arcadia, which is a Greek mythological bountiful, utopic garden, inhabited by shepherds and unspoiled by savagery (said savagery possibly depicted by Aaron and Justin), but I haven’t explored that concept enough to have an opinion on this. I will consider this some more!


I also enjoyed the grainy nature of the film. I don’t remember what it was like right at the beginning when they were in ‘real life’, if it was particularly colourful but the sepia type change was so subtle that it took me a long time to realise anything had changed. And at first I just thought wow dusty terrain. And then I realised that was an intentional choice to make the camp and everything stuck in these loops look like something of the past. Like an old photo. There’s even a moment where we see a man in a tent who is re-spawning over and over again and he warns Aaron(?) to get away as far as he can, and it seems like the graphics inside the tent look black and white almost which seems to depict the man’s comparative age, as in he’s been there a longggggg long time. Supposedly, he’s credited as something like 1900s man, so that makes a lot of sense. It really reminded me of BioShock Infinite actually… there are these moments in that game when you can see supplied in other dimensions as black and white blobs and the tent inside has the same sort of vibe to it. Perhaps the look of the film could have been more polished, but the film didn’t have a very big budget and I think what they managed to achieve with the budget they had is WAYYYYYY BETTTERRRR than a lot of big hollywood films.

So all in all, really enjoyable film, great idea. Love that they tied it to their previous film. It makes the world feel large and full of a lot of possibility for sequels that left me wanting to understand more. I have so many questions but I think that’s what makes this film so compelling. A+ would watch again.

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Fantastic Planet, aka La planète sauvage [1973]

“What a shame we can’t play with her any more.”


First off, let me tell you right now… This is not a film about a ‘Fantastic Planet’ as the name suggests. It’s actually a pretty terrible planet with terrible beings!

The story begins following a mother and her baby who are being tortured. The mother is from a species of humanoids/humans called Oms who are much smaller than the dominating species (Draags) on the planet they live on. The Draags have brought these Oms to their own planet where they are technologically more advanced. From the offset, we see the Draags treat Oms like their little playthings. In fact, we see the aforementioned mother brutally murdered but as the film is animated style, even though it’s tragic, there’s something quite unreal about it so as it doesn’t feel as brutal as it should be.

The baby is ‘saved’ by a young child Draag called Tiwa who wishes to keep it and a retractable collar is put on the baby so it cannot escape. We see the young Draag play with the baby as it grows and names it Terr. It seems like Tiwa genuinely loves Terr and she cradles Terr, as well as sharing her lessons with him through this telepathic headpiece device, even though it is forbidden by her parents. Eventually, Tiwa becomes careless with Terr as her ‘pet’ and Terr decides to run away (stealing the headset). He runs into more of his own species who help him remove the collar and eventually embrace him into their group. Many think that the education that Terr brings is dangerous, but it turns out to save many of the Oms people in the end. The group he joins is at war with another group of Oms. It seems like despite the fact they literally have bigger problems, they can’t help but fight among themselves!

With the knowledge the headset has given them, the Oms build rockets with the intention to leave the planet for the planet’s moon which they call the ‘Fantastic Planet’. However the Draag intend to eradicate them and start to gas the park they all live in fearing the seemingly rebellious act of Terr, concerned that others will follow suit and that the education they are now afforded will be dangerous. To retaliate, the Om destroy a bunch of statues which it turns out threatens the existence of the Draag. The Draag and the Om come to a peaceful resolution.

First off, the animation in this film was incredible. You don’t see films made like this any more, really. The surreal, vivid colours and imaginative creatures, plants, landscapes and soundscapes are so interesting to watch and hear and it’s no surprise that this film is so iconic. It really is quite a beautiful creation. The soundscape is undeniably 70s because there’s something quite funky about it.

The Draag, despite on the surface being more intelligent, are very savage to the Oms, just because they can. It’s completely normalised by the adult Draag that Oms can be treated poorly and there is this pervasive idea shared that Oms are savage and unintelligent like they deserve to be treated that way almost. It’s quite alarming and striking to watch, because it’s quite reminiscent of the way white colonialists used to talk about Black/Indigenous people, and it’s the way that a lot of racist white people talk to this day, with this air of superiority. Something that is touched on in many sci-fi books but also in a recent book we read in SOPHFIFEST THE READERS club, is how ‘dominating species’ tend to be super arrogant that their elite, superior intellect puts them on top and that any sub-dominant species or group not only do not have the smarts but wouldn’t dream of overthrowing them. The specific book I am thinking of is Ursula Le Guin’s ‘The word for world is forest’ where the human species feel like the indigenous peoples are savage and unintelligent and a peaceful species, that they would never ‘fight back’. We learn of course that their arrogance is unfounded and of course, the indigenous peoples certainly make the humans very foolish indeed! And the same is true for this story. The Draag televise these lengthy intellectual debates, regaling how superior they are. They don’t even see the attack on their existence coming. I really really like that they don’t, and it just shows that if you work together that you can do anything. Even overthrow a brutal alien species!

My only criticism would be that I didn’t believe the ending. If my peoples had been tortured our whole life, I would absolutely have destroyed all of those damn statues, but I appreciate that the intention is for a hopeful ending rather than one filled with carnage.

All in all, gorgeous film. Really well put together. Interesting story. It’s a must-watch!

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Skyman [2020, SciFi London 2020]

“I looked up and there it was, just hovering, a giant black triangle…”


Only one more day left of SciFi London 2020, I’m so sad! I decided to only watch one feature film today after four straight days of science fiction, so I hope you enjoy this review of the second science fiction film of the day, Skyman.

Skyman, directed by Daniel Myrick (who was co-Director of the cult classic supernatural horror, The Blair Witch Project) is a documentary style film following Carl Merryweather who is famous in his town for having made contact with an alien. This alien supposedly spoke to him telepathically when he was 10 years old. The film starts 30 years later and interviews Carl, his family and people in the town to hear the story and see if there is any truth to it. Carl talks about his experience and describes the meeting, that he heard a low hum which he has heard multiple times since the interaction and that the alien had told him not to be afraid, that it was looking for someone like him. The film later follows him as he goes about his life, visiting family, at a UFO convention and while he is creating tech with a friend to help capture what he describes will be a return of the alien. He is convinced this will happen on his 40th birthday.

The fictional docu-makers don’t offer up their own critical perspective of Carl, but rather leave it totally open for viewers to make up their own minds. The style of this movie is quite DIY looking and at times appears quite rough like it’s made with a camcorder, but this add to the charm of the film. The ending of the film appears conclusive as to if Carl was right or not – but I won’t spoil the ending for you…

There’s not much to say about this movie. I really enjoyed it. It’s not a complicated film, with a complicated plot, but it was just done superbly. I didn’t stay for the Q&A this time unfortunately, so I missed what the director said of the film, but I loved that Carl wasn’t painted to be the ‘town idiot’ like many abduction type films out there. He seemed quite competent, and his resolute belief wasn’t creepy. It was endearing and almost childlike. I found myself wanting to believe too, for Carl’s sake.. I think that perhaps he had been stuck in the past his whole life, stuck in that moment when he was 10 years old, so his childlike, excited nature really came through in this film. Like even the fact he calls the alien a Skyman is something that a ten year old would do. An adult would call it an alien, but children say it like they see it. He came from the sky, he was a man (as far as young Carl knows) so he is SKYMAN.

So yeah, excellent film. Really glad to have seem it. Very endearing, well done film. Definitely, definitely go check it out.

For more info about the film, go here.

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A report on the party & the guests [2020, SciFi London 2020]

“Good afternoon citizen. Is your life without meaning?”


This Danish film, directed by Søren Peter Langkjær Bojsen, is a really unusual one. A creature who calls himself Rudolph washes up on a beach in Estonia with his unconscious mother. He talks some nearby strangers to help him get her to a car, saying she has heat stroke and that she passed out. He takes her to some sort of warehouse where they can recover. Meanwhile, we find out that an epidemic called Saudad has ravaged the human population. At the same time (possibly because of this) technology seems to be fully automated to the point that humans aren’t really needed and are kind of irrelevant. There are a number of conspiracies which we see through a YouTube channel called TruthRage, that some automatons are amongst us and that they infiltrate into top positions in society, and we see various other conspiracies throughout the film from this channel. It seems like they are suggesting that humans are being controlled by these beings and we are told “they’re just following their instincts”.

Rudolph quickly inserts himself into normal society and gets himself a job in technology for Intuflex who seem to do some work relating to technology and intuition (he is told “your intuition will shape the future”) although it’s unclear exactly what this company does. When not at work, he observes human life. He also obsesses over trying to communicate with his home planet attempting to create communications devices, whilst his mother seems to be dying. To further study humans, he calls himself a photographer and goes to various parties with artists (which the conspiracists call ‘The Hoard’, a group who have migrated to the suburbs after the epidemic) to learn more about people, sharing a psychedelic machine with them that seems to bends their minds and possibly gather information about them. Rudolph ends up being told by a fellow alien that the home-planet have forgotten them and in order to be free, he will need to let go of the past.

Really unusual movie. A lot of it was shot in this handheld home camcorder style, which made it feel like Rudolph was genuinely taking a report of humans back to his planet. In the Q&A, the director said that much of the scenes where Rudolph is at the party doing this, he was instructed to interact with people who were just being themselves, not acting. That natural side really comes through, I thought.

Also I enjoyed that the film was ambiguous. It could have simultaneously been pitched as a story that Rudolph was not an alien, that in fact he was sinking into madness, because it was quite unclear for a long time if his so-called mother was an alien or if she was dead and he had killed her. Occasionally she would make noises but as a viewer, I supposed that those noises could well have been a ‘death rattle’ which are the sounds a dead body makes when certain gases are expelling from the body as it decomposes (I saw that once in a TV show). So I spent much of the film questioning who Rudolph really was and if he was being sincere. To be honest, seeing the mother go through various stages of decomposing made me feel quite uncomfortable, like it was too real. Particularly as for most of the film I felt like she had been murdered. I guess I wasn’t really anticipating seeing that from the synopsis, this implied violence towards a woman. I think if I had been mentally prepared for seeing that, maybe it would not have made me feel so uneasy. It’s funny, because I watch a lot of true crime, but I’ve never seen a body as graphically decomposing as in this film, and it really bothered me.

All in all, very interesting dark film. Well acted. Really great trippy visual effects, particularly in the scenes where Rudolph is showing people his mind-altering machine. I can see the influences in there by The Man Who Fell To Earth. I thought there was quite a lot going on, between the epidemic and conspiracies and this so-called alien, but it didn’t feel like it was cramped with too many complicated storylines. Great ending. I enjoyed it. Check it out.

You can watch this film here. You will need to buy a film or festival pass to watch it though.

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Sci-Fi London 2020

SOPHFIFEST’s December 2020 WATCHERS club has been pushed back one week, but for a very good reason!


SCI-FI-LONDON 2020 is happening 8-13 December and due to COVID it’s going to be virtual this year. Cannot wait. Also, tickets are super cheap at £20.20 for the whole festival, or £5 per film if you only want to watch the odd film.

I’m particularly excited about the feature films (synopses below):

  • Live (08/12) – a dystopian story where humans aren’t allowed to be in contact with one another, which given our current COVID/lockdown situation seems very on the nose.
  • Mirror Human (09/12) – this film follows the lives of three characters and explores androids. The synopsis is quite elusive so I guess I will watch and find out!
  • Cosmic Candy (09/12) – a film about a hallucinogenic candy which looks really vibrant and trippy and full of action.
  • Minor Premise (10/12) – this film is about scientific experimentation gone wrong. Ethan finds himself fragmented into different timelines after trying to finish his father’s invention and has to rely on partner/colleague Dr Alli Fisher to find the answers. I’m excited to see how this thriller unfolds.
  • A report on the party and the guests (11/12) – this is a film about a creature on a secret mission but is also about a pandemic and humanity destroying itself.
  • I am human (11/12) – this film is about cyborgs living as part of humanity and explores the human brain and what makes us human.
  • The American Astronaut (11/12) – on my current watchlist. This is one of the top 100 science fiction films of all time, so I’m excited to finally see this.
  • Truth or Consequences (12/12) – the film is set in Truth or Consequences, New Mexico (yes, this is a real place!!) and explores the concept of humans colonising new planets but what if you were left behind. I’m really interested in this idea, the further we advance into space exploration and I’m looking forward to this offering.
  • Skyman (12/12) – this film follows Carl who believes he will be the victim of repeat alien abduction. Is he right? Let’s find out! It’s also co-directed by Daniel Myrick of The Blair Witch Project! Woah!
  • I am Ren (13/13) – this film is a thriller about Artificial Intelligence and follows Renata trying to find answers to a mysterious event.

There are also 30+ short films this year to explore. Check them out here.

I’m really excited to see so much diversity in this year’s offering. This is the direction that science fiction film needs to be moving into. More women, more BIPOC/POC, more LGBTQ, more disabled, more neuro-diverse creators and actors. Representation FTW!

Get your pass soon: https://sci-fi-london.com/ SOPHFIFEST will be chatting about films seen on this site and normal social networks so check those out coming soon 🙂 ONE MORE WEEK! ONE MORE WEEK! ONE MORE WEEK!

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