Live [2020, SciFi London 2020]

“I can’t live like this…”


This film, filmed in Frankfurt, Germany (and some other cool places) is set in a dystopian future. It was directed by Lisa Charlotte Friederich (who is such badass bitch, which I mean to the highest respect possible) and the story follows police woman Claire and her brother Aurel who are both trumpeters. In this new world order, humans are no longer allowed to meet in groups, touch one another, smoke (or anything else that’s fun) as it is prohibited. There are strict curfews in place and the consequences of going against these are dire.

At the offset of the film, we see both Claire and Aurel (who live in the city/country respectively) performing at virtual gigs using VR technology. Before long we are taken to the scene of a crime where around 20 people are dead. It is clear that they had organised some kind of gathering and are referred to as “terrorists” by ‘The Institute’ (a sort of police surveillance entity); although I didn’t quite understand how they came to die, only that this was clearly the aforementioned consequences of breaking the rules. (I might have missed that… Honestly… I was making a snack!) I do really like it when you don’t have all the answers handed to you though, so I personally really liked the omission.

Claire heads to the country and inspired by the actions of the ‘terrorists’, talks her brother and two friends into organising a live gig. Did they make it happen? Did they get away with it? Well, you’ll have to watch the film won’t you?!

The most striking thing about the film is the music. The film features an excellent soundtrack, produced by Rike Huy and Jooseten Ellee. It’s a mix of electronic synth, jazz and classical and is incredibly well done and beautiful. Both the story and the music fit like a glove together. At one point I remember thinking “how can they make a single repeated synth note make me feel so tense right now?!” Because they’re wizards, that’s how. It’s the only explanation.

The city sections of the film were very disparate cinematically from the later country scenes, and I really liked that. The city was dark and sultry, smokey, almost bleakly monochrome; I personally got some film noir vibes from it. Claire lived in a Brutalist cement building that gave the impression she was metaphorically living in a prison cell which seemed to reflect the consensus in the city. In the country where Aurel lived, everything was much more open including the people; the shots seemed wider, the buildings more airy, the greens greener.

I really enjoyed the strange dynamic between the two siblings. There was this strong competitive feeling from both of them (including relating to sexual conquest) which you can see from the beginning scene where both are performing and the camera slices from one performance to the other. It was actually really interesting seeing the Q&A afterwards with the director because she mentioned that she was very influenced by Cain and Abel and I definitely see that mirrored in the story. She also mentioned that she wanted to illustrate how talent is not always fairly distributed and that was explored in a musical way. Perhaps that inequality is part of the reason their relationship is so strained. The relationship between Claire and her mother is also cold and distant, and their interactions make Claire seem very vulnerable.

The subject area of the film itself is obviously really topical right now, with so much of the world in COVID-19 lockdown, though interestingly the director created the film in response to terrorist attacks in Europe.

All in all, I really enjoyed the film. The concept is original and brilliant, and had these 1984/totalitarianism vibes going on. The film made me feel this inner dread throughout like I was waiting for something bad to happen but the ending was quite unexpected. I didn’t think the film was super polished but I know the director made the film on a very strict budget so that’s totally understandable. Really good storyline, amazing soundtrack, an excellent first SciFi London 2020 film of the year. Definitely well worth a watch.

The film is available here if you want to watch it, but you’ll need to buy a film or festival pass.

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Sci-Fi London 2020

SOPHFIFEST’s December 2020 WATCHERS club has been pushed back one week, but for a very good reason!


SCI-FI-LONDON 2020 is happening 8-13 December and due to COVID it’s going to be virtual this year. Cannot wait. Also, tickets are super cheap at £20.20 for the whole festival, or £5 per film if you only want to watch the odd film.

I’m particularly excited about the feature films (synopses below):

  • Live (08/12) – a dystopian story where humans aren’t allowed to be in contact with one another, which given our current COVID/lockdown situation seems very on the nose.
  • Mirror Human (09/12) – this film follows the lives of three characters and explores androids. The synopsis is quite elusive so I guess I will watch and find out!
  • Cosmic Candy (09/12) – a film about a hallucinogenic candy which looks really vibrant and trippy and full of action.
  • Minor Premise (10/12) – this film is about scientific experimentation gone wrong. Ethan finds himself fragmented into different timelines after trying to finish his father’s invention and has to rely on partner/colleague Dr Alli Fisher to find the answers. I’m excited to see how this thriller unfolds.
  • A report on the party and the guests (11/12) – this is a film about a creature on a secret mission but is also about a pandemic and humanity destroying itself.
  • I am human (11/12) – this film is about cyborgs living as part of humanity and explores the human brain and what makes us human.
  • The American Astronaut (11/12) – on my current watchlist. This is one of the top 100 science fiction films of all time, so I’m excited to finally see this.
  • Truth or Consequences (12/12) – the film is set in Truth or Consequences, New Mexico (yes, this is a real place!!) and explores the concept of humans colonising new planets but what if you were left behind. I’m really interested in this idea, the further we advance into space exploration and I’m looking forward to this offering.
  • Skyman (12/12) – this film follows Carl who believes he will be the victim of repeat alien abduction. Is he right? Let’s find out! It’s also co-directed by Daniel Myrick of The Blair Witch Project! Woah!
  • I am Ren (13/13) – this film is a thriller about Artificial Intelligence and follows Renata trying to find answers to a mysterious event.

There are also 30+ short films this year to explore. Check them out here.

I’m really excited to see so much diversity in this year’s offering. This is the direction that science fiction film needs to be moving into. More women, more BIPOC/POC, more LGBTQ, more disabled, more neuro-diverse creators and actors. Representation FTW!

Get your pass soon: https://sci-fi-london.com/ SOPHFIFEST will be chatting about films seen on this site and normal social networks so check those out coming soon 🙂 ONE MORE WEEK! ONE MORE WEEK! ONE MORE WEEK!

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Slight detour – SCI-FI London Film Fest 2016!

I’ve taken a little detour from my scheduled entertainments to watch a couple films from this year’s London Sci-Fi fest.


Dolcezza Extrema followed sock puppet Pixws and his crew flying through space. IMO terrible. Plot pew pews all over the shop and really weakens the film. Relies on flash grenade type visuals to shock you into confusion that you enjoyed this film. Don’t be fooled. Burn it with fire. (Watched: 29/04/2016)

In Search of the Ultra-Sex. Surprisingly entertaining. Really well done dubbing of 100 vintage adult movies that has turned it into an actual sci fi film. Who’d have thought?! Really really well done. Would deffo watch again no question. (Watched: 29/04/2016)

Androids Dream. Different take on PKD’s ‘Do Androids Dream of Electric Sheep?’/Blade Runner. Much more bleak. I like that it looked at the androids humanity, which made their ‘retirement’ much more jarring. Worth a watch but don’t watch it with Blade Runner in mind, because they are nothing alike. (If you have a subscription to Mubi, watch it now! It’s on there for a limited time only.) (Watched: 01/05/2016)