A report on the party & the guests [2020, SciFi London 2020]

“Good afternoon citizen. Is your life without meaning?”


This Danish film, directed by Søren Peter Langkjær Bojsen, is a really unusual one. A creature who calls himself Rudolph washes up on a beach in Estonia with his unconscious mother. He talks some nearby strangers to help him get her to a car, saying she has heat stroke and that she passed out. He takes her to some sort of warehouse where they can recover. Meanwhile, we find out that an epidemic called Saudad has ravaged the human population. At the same time (possibly because of this) technology seems to be fully automated to the point that humans aren’t really needed and are kind of irrelevant. There are a number of conspiracies which we see through a YouTube channel called TruthRage, that some automatons are amongst us and that they infiltrate into top positions in society, and we see various other conspiracies throughout the film from this channel. It seems like they are suggesting that humans are being controlled by these beings and we are told “they’re just following their instincts”.

Rudolph quickly inserts himself into normal society and gets himself a job in technology for Intuflex who seem to do some work relating to technology and intuition (he is told “your intuition will shape the future”) although it’s unclear exactly what this company does. When not at work, he observes human life. He also obsesses over trying to communicate with his home planet attempting to create communications devices, whilst his mother seems to be dying. To further study humans, he calls himself a photographer and goes to various parties with artists (which the conspiracists call ‘The Hoard’, a group who have migrated to the suburbs after the epidemic) to learn more about people, sharing a psychedelic machine with them that seems to bends their minds and possibly gather information about them. Rudolph ends up being told by a fellow alien that the home-planet have forgotten them and in order to be free, he will need to let go of the past.

Really unusual movie. A lot of it was shot in this handheld home camcorder style, which made it feel like Rudolph was genuinely taking a report of humans back to his planet. In the Q&A, the director said that much of the scenes where Rudolph is at the party doing this, he was instructed to interact with people who were just being themselves, not acting. That natural side really comes through, I thought.

Also I enjoyed that the film was ambiguous. It could have simultaneously been pitched as a story that Rudolph was not an alien, that in fact he was sinking into madness, because it was quite unclear for a long time if his so-called mother was an alien or if she was dead and he had killed her. Occasionally she would make noises but as a viewer, I supposed that those noises could well have been a ‘death rattle’ which are the sounds a dead body makes when certain gases are expelling from the body as it decomposes (I saw that once in a TV show). So I spent much of the film questioning who Rudolph really was and if he was being sincere. To be honest, seeing the mother go through various stages of decomposing made me feel quite uncomfortable, like it was too real. Particularly as for most of the film I felt like she had been murdered. I guess I wasn’t really anticipating seeing that from the synopsis, this implied violence towards a woman. I think if I had been mentally prepared for seeing that, maybe it would not have made me feel so uneasy. It’s funny, because I watch a lot of true crime, but I’ve never seen a body as graphically decomposing as in this film, and it really bothered me.

All in all, very interesting dark film. Well acted. Really great trippy visual effects, particularly in the scenes where Rudolph is showing people his mind-altering machine. I can see the influences in there by The Man Who Fell To Earth. I thought there was quite a lot going on, between the epidemic and conspiracies and this so-called alien, but it didn’t feel like it was cramped with too many complicated storylines. Great ending. I enjoyed it. Check it out.

You can watch this film here. You will need to buy a film or festival pass to watch it though.

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The American Astronaut [2001]

“It is here where the story began.. the story of how I became a father…”


This 2001 film, directed by and starring Cory McAbee, is a really fun film and I’m so thankful that it was part of SciFi London 2020 festival’s feature films because I’ve been wanting to watch it for a long time.

The film follows Samuel Curtis, a merchant who deals in the procurement of odd and exotic items. He’s been tasked with bringing Monkeypuss the Cat from earth to a saloon on an asteroid to his old dancing partner and friend, the Blueberry Pirate. His friend pays him for the cat with a cloning device which can make a ‘Real Life Girl’ and tells him that he should take it to Jupiter and swap it for ‘The Boy who actually saw a woman’s breast’. You see, this planet seems to be full of working class, possibly miner men and there are no women there. The boy is brought out to them from time to time to sing and dance and describe the boob he saw as a way of motivating them to work. The Blueberry Pirate suggests Curtis take The Boy to Venus, which is inhabited by women and a ‘stud’ who they use to impregnate themselves. Apparently the stud has died and his family (on earth) want his remains so they can bury him. Curtis agrees to this plan.

Meanwhile he is being pursued by The Professor who also acts somewhat of a narrator for the film. Apparently he is pissed because it’s his birthday and he wants Curtis to sing Happy Birthday to him. He seems quite psychotic.

Curtis gets the boy and exchanges the case for him to the person running the joint who grossly says he will grow this girl and then marry her when she is 15, after which he will describe what the sex is like to the masses. But his plan is cut short because The Professor kills him and steals the case, still in Curtis’ pursuit. I’m actually really glad he did tbh…

Curtis comes across a space station where he is asked by miners to take another kid with him, who appears to be wearing some kind of gimp suit(?) and he agrees. Eventually they make it to Venus to make the swap and The Professor is there, but does he make the exchange? Does he have to sing Happy Birthday to the prof? Check it out to find outttttt.

This is such a fun, quirky film and having seen Cory the director talk, you can see it’s his own quirkiness come alive! He’s such a bubbly, nice person.

I really liked the music in the film. Most of the music was rock. Sounds like some Bruce Springsteen sort of influence at times, but also alternative or indie rock in there. It feels like a music video, and it could very easily be turned into a musical of some sort because there are lots of scenes where characters are singing and dancing. I wasn’t anticipating this but it was so joyful to watch. The lyrics are really weird and endearing (just my kind of lyrics) e.g. “how can you keep on smiling while you see yourself in the mirror smiling” or “the girl with the vagina made of glass”. It’s the sort of film I imagine would be played a lot at this place called Prince Charles cinema in London, where they have a lot of quirky film sing-a-longs.

It’s filmed in black and white and has a old feel to it. Even the way people talk in the film comes off like it was shot in the 50s, which I enjoyed. Even their speech has the same timbre and spacing as a 50s film. It also has an old ‘Spaghetti Western’ feel to it for me particularly with the opening being in an old timey bar (though I know some people also think it’s more like Film Noir). It has that same grimey, dirty, gun-slinging, rough and ready feel that I remember from the Westerns I used to watch as a kid. Having seen the Q&A with the director, though, this was not intentional and it was actually inspired by his family who works/worked as car mechanics. He wanted to get that grimey, grease-monkey feel into the film.

What I especially like about this film – if you take out the singing and the dancing – it kind of feels like normal, working class people just getting on with living in space. Curtis flying about seems as ordinary as someone driving a car or a bus, like they’re all just normal people; some of them go to bars, they work, they listen to music, they have phasers that turn people into sand… you know, like normal stuff!

So all in all, I really enjoyed this movie. It was just a joy to watch. There’s not much too it. It’s not some complicated plot, but I loved how down to earth and quirky this space movie is and I can tell I will love it again and again and again in the future. I can see getting better with repeated watching. Definitely check it out.

Oh, and you should check out some of the other projects that Cory McAbee is working on. Stingray Sam is another of his past project’s. I haven’t seen it yet but apparently the series is really worth watching. He’s also working on this totally radical project related to terraforming Mars. The suggestion is to send your dearly departed’s corpses to Mars, to help terraform the planet. Isn’t that amazing?! Anyway, there’s more to read here.

Lastly, you can check out American Astronaut here. It’s available to watch for free!

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